Museo Faggiano

22 Sunday Nov 2020

Posted by Un po' di pepe in Architecture, Puglia, Travel

Tags

Archeology, Lecce, Museo Faggiano, Southern Italy

Museo Faggiano is a family run, independent archeology museum in Lecce and also a working archeological site. This is a small museum with big history! In 2001, Luciano Faggiano planned to open a restaurant with his 3 sons Marco, Andrea and Davide in a building he owned in Lecce’s Centro Storico.
The building had issues with dampness and sewage backup, likely caused by broken pipes. Since a working toilet is kind of important, the Faggiano family planned all took 1 week off to work on the plumbing themselves.

They started digging and found a false floor. Beneath that, they uncovered 4 subterranean levels to other worlds. They found Messapii tombs and an ossuary from the 5th Century BC. The Messapii were from Crete and settled in Southern Italia. They also uncovered a Roman granary, silo, cisterns a 10 m deep well and even an underground escape tunnel leading to the Roman anfiteatro a few blocks away. From 1000-1200, the building was a House of the Knights Templar, who left their emblems on frescoes and wall etchings. A Franciscan chapel and religious artifacts were found from the convent of Sisters of Santa Chiara, which the building was from 1200-1609. Each of these populations left their traces in the unassuming little building.

After 7 years of excavation, the museum opened to the public in 2008. All of the work was financed by Signor Faggiano, under the supervision of the Archeology superintendent of Taranto. In Italia, anything found underground belongs to the government no matter who owns the property. This was clearly a labour of love.

In addition to the architectural elements of the builing, treasures found include a gold and emerald Jesuit bishop’s ring, coins, lots of pottery fragments and a stone sculpture with the abbreviated Latin inscription ‘Si deus pro nobis quis contra nos’ -If God is with us, who can be against us?

In 2015, Museo Faggiano was featured in a NY Times article.

Museo Faggiano is at Via Ascanio Grandi 58, a short walk from Piazza Sant’Oronzo. It is open daily from 9:30am-8pm. Admission is €5. Often one of the family members is there to answer questions. A numbered sheet with self-guided tour is available in many languages.

Imagine 2500 years of history in one small house! If you are like me and have an inner Indiana Jones, and your palms sweat when surrounded by unique archeology, you will be fascinated by Museo Faggiano!

Luciano Faggiano finally did open his restaurant Quo Vadis, next door in June 2019. He is not planning to dig up the pavimento!

Lecce

25 Friday Sep 2020

Posted by Un po' di pepe in Architecture, Italia, Photography, Travel

≈ 24 Comments

Tags

Barocco Leccese, Baroque art, Negroamaro, Puglia, Salento, Southern Italy, UNESCO World Heritage Sites

Lecce reminds me of a Caravaggio painting-Baroque, dramatic and opulent, with attention to detail. It is unfortunate he did not live long enough to visit the city! Lecce, in the Salento area of Southern Puglia is over 2000 years old and rich in tradition and local customs. Originally called Syvar, it was founded by the Mesapii(Mesapians) from Crete. There is a long history of Greek settlement here, in fact there is still a group of 9 towns called ‘Grecia Salentino’ where ‘Griko’ dialetto is spoken.

Conquered by the Romans in the 3^rd Century BC, it was renamed Lupiae. Hadrian moved the city 3 Km northeast in the 2^nd Century AD and called it Licea. Then came the Byzantines in 549, followed by Orthodox monks. Lecce and the Salento were an independent country from 1043 until 1463 when Emperor Carlo V conquered Puglia, and they became part of the Kingdom of Napoli until Italian unification in 1861. Lecce was an important commercial city, with a building and cultural boom.

Lecce is best known for its dramatic Baroque architecture and ornamentation, which even has its own name-Barocco Leccese. The style was around from the mid 1500’s to the early 1700’s, so even among buildings constructed at different times there is continuity of style.

The Baroque style features over the top details and intricate carvings that create a sense of movement. Barocco Leccese is even more expressive and unique. Windows, balconies and loggias are elaborately ornamented with twisting columns, scrolls and cornices. They are carved with human figures, animals, wreaths, vines and gargoyles. There is also a lot of marble, gilt and bronze involved. Corbels supporting balconies are a common decorative element in Lecce.

‘Salento and the Barocco Leccese, including Lecce, Nardò, Gallipoli, Martina Franca, Ostuni, Francavilla, Galatina and Galatone’ are on the UNESCO World Heritage tentative list since 2006. This is the step before becoming a World Heritage Site.

Lecce’s buildings are made of Pietra Leccese, a local, honey coloured porous limestone. It is soft and workable for sculpture, and was hardened and weatherproofed by soaking in a liquid solution made with whole milk. Pietra Leccese is still one of the area’s main exports, mined in open quarries.

What to see in Lecce:

The Centro Storico of Lecce, with its narrow stone streets, 22 churches and unique architecture is a historically preserved walking museum. It is mostly pedestrian only and very walkable. After dark the streets are lined with outdoor seating for vino and aperitivo, and everyone is out for passeggiata.

Lecce’s defensive walls are gone, but 3 gates remain: Porta Rudiae, Porta San Biagio and Porta Napoli, which marked the starting point of the road to Napoli.

The 2 main piazze are Piazza Duomo and Piazza Sant’Oronzo, which are connected by Corso Vittorio Emanuele. Piazza Duomo is a large open space, but you can almost walk by and miss it! There is only one entrance, and it is closed off on 3 sides. The Duomo is unique as it has 2 facades. This was done so that visitors to the piazza did not have to face a big blank side wall as they entered. The Campanile is the tallest in Italia at 68 m. Piazza Duomo also contains the Palazzo Vescovile and Seminario, which is used mainly for exhibitions.

Piazza Sant’Oronzo, named for the first Christian bishop and the patron saint of Lecce, was the site of the mercato. The 2^nd Century AD Roman anfiteatro was discovered in 1901 during construction of a new Banca d’Italia. The 20,000 seat arena was originally built outside of the walls of Lecce and was still in use in the 12^thCentury. More than half of it has not been excavated!

Looking down over the anfiteatro is Il Sedile, a 1590 Gothic structure which was the seat of the town hall. It is now the Tourist information office.

The Colonna di S Oronzo, is a column topped with a bronze statue of Sant’Oronzo. It was originally built in 110 AD-one of a pair of Turkish marble columns marking the end of the Via Appia from Roma to Brindisi. This one toppled and broke in 1528 and its twin is still standing in Brindisi. In 1659, the broken remains were given to Lecce to thank Sant’Oronzo for saving Brindisi from the 1656 plague. The Brindisini have wanted it back ever since!

Not far from the piazza is Museo Faggiano- a unique museum, especially for archeology nerds like me! Plumbing issues result in DIY renovations that uncover layers of history…..Blog post coming!

Santa Croce’s façade is the masterpiece of Barocco Leccese. It took 200 years to build. The exterior was recently cleaned and renovated. The interior has a gilded coffered ceiling and 14 chapels with carved, twisting columns.

Sant’Irene is dedicated to the ancient protector of the city 1591-1639. The interior is simple, but has twin Baroque side altars. My amazing balcony at Palazzo Belli B&B looked out onto the side entrance.

Santa Chiara built in 1687 has an unusual façade and an extravagant interior with a wooden ceiling. There are loads of other beautiful churches to see in Lecce, but i have only mentioned the main ones.

Sometimes the scenery looks like an old movie set! Walk down Via Palmieri, lined with grand palazzi, ending at Porta Napoli.

Things I did not have time to see include the Castello Carlo V and its carta pesta (papier maché) museum, the Teatro Romano and the Museo Provinciale.

Lecce is a great place to shop. Specialties include colourful Pugliese ceramics, carta pesta, olive oil and vino. Lecce observes the pausa pranzo which means shops are closed from 2-5pm.

Make sure to try pasticciotto. My favourite is the kind with crema and amarena. Yum! Sit outside to have Caffè Leccese –espresso on ice with almond milk and of course local vino, especially my favourite-Negroamaro. Here is my cena with Negroamaro rosé.

Since the centro storico is car free, dealing with a car in Lecce can be a pain. During high season, it is easier to get around by bus or local train. During low season, a car will make it easier to visit places that are not on the main train line. Lecce is between 2 seas, the Adriatic is 11km away and the Ionian 23 km away.

Lecce (pop. 96,000) is on the Adriatico train route that starts in Bologna. The Stazione is a flat walk, 1 km south of the Centro Storico. Last year, I took the train from Foggia (3 hours) staying 3 days in Lecce and 1 in Nardò. It was late July/early August, and not crowded at all. I booked my train and accomodation 3 days in advance. Try to avoid making Lecce a daytrip, as you will miss the beautiful evenings and fun nightlife. I am looking forward to going back as soon as possible!

Buon viaggio, Cristina

Limoncello

07 Friday Aug 2020

Posted by Un po' di pepe in Italia, Photography, Recipes

≈ 22 Comments

Tags

Campania, Homemade liqueur, Limoncello, Southern Italy

Quando la vita ti da limoni…fai il limoncello! When life gives you lemons…make limoncello! This is a good motto for life at the moment. What else does a global pandemic have to do with limoncello? I usually make homemade limoncello or other infused liqueurs with vodka, as grain alcohol is not available here. With the hand sanitizer shortage a few months ago, my fratello was able to order 151 proof (71%) Everclear grain alcohol to make his own. Hand sanitizer is available again and he had an extra bottle, so I used it to make limoncello. It is not the 191 proof (90%) alcohol that liqueurs are usually made with-but better than using vodka.

Limoncello (lee·mohn·CHEL·loh) is an Italian liqueur, made mostly in Southern Italy and especially in the Amalfi/Sorrento area where the limoni are large and fragrant. It is usually served chilled as an after dinner digestivo. I use it to make many of my desserts too!

To make limoncello, you need 1L (4 cups) of grain alcohol and 8-10 organic lemons. Limoncello is made only with the scorza, or lemon peel, so the lemons must be untreated. I used the juice to make limonata.

Peel lemons with a vegetable or potato peeler, taking only the peel, not the pith (the white stuff). If a bit of pith snuck in there, scrape it off with a knife

Place the lemon peels in a large airtight glass jar. I used an old 2L jar that used to hold artichokes, rinsing it out with vinegar and soap to remove any smell.

Cover lemon peels with alcohol and leave the jar to steep in a dark cool place for 2 weeks or more. A cantina is ideal if you have one. Give the jar a good shake every few days. When the peels are very pale, almost white, it is done. The liquid will be a gorgeous golden colour.

Mix 750 ml-1L (3-4 cups) water with 500 ml (2 cups) sugar in a saucepan. For sweeter limoncello, add more sugar-up to double the amount. Simmer over medium heat until the sugar is dissolved, then let the syrup cool.

Strain lemon peels from the alcohol and add cooled syrup. It will be a cloudy yellow once the lemon essential oils and water mix together. If using vodka instead of grain alcohol, use less syrup. Shake the jar and leave it in the cantina or a cold, dark place for 1-2 weeks. Then ladle into small bottles with pop-tops or secure tops and leave for 1 more week to intensify the lemon flavour.

Il limoncello è pronto. Salute!

Posts with recipes using limoncello:

Limoncello Cheesecake

Limoncello Ricotta Cookies

Olive oil Limoncello Cake

Ciao, Cristina

Napoli Street Art

29 Saturday Feb 2020

Posted by Un po' di pepe in Art, Italia, Photography

≈ 17 Comments

Tags

Banksy, Blub, Contemporary art Napoli, Exit/Enter, Jorit, Napoli Centro Storico, Roxy in the box, Southern Italy

Napoli is gritty, wonderfully chaotic, passionate and anything but boring, making it a perfect place for self-expression. Graffiti is not a new concept to the Napoletani. Ancient graffiti can be found in Pompeii, including ‘I was here’ type messages and suggestive notes written on the walls of the brothel. In the historic center of Napoli graffiti, posters and murals have been elevated to a fine art form. I was in Napoli on a search for Blub street art and ended up finding so much more.

Volto di Sophia, a colourful Bollywood inspired portrait of iconic Napoletana Sophia Loren is on Vico dei Zuroli, just off of Via dei Tribunali. The artist is Stikki Peaches, originally from Montreal.

Madonna con la Pistola is the only work in Italia by the elusive and mysterious English street artist Banksy. It is in Piazza Gerolamini, off of Via dei Tribunali. The Madonna in ecstasy with a gun in place of a halo is the artist’s exploration of the relationship between religion and organized crime. It has now been covered by glass for protection from the elements.

San Gennaro, a hyperrealistic 15m high portrait of Napoli’s patron saint is by Italian- Dutch artist Jorit Agoch (Jorit Ciro Cerullo). It is on Via Forcella near the Duomo. The model is the artist’s friend, a mechanic also named Gennaro. This could be an homage to Caravaggio, who would take ordinary people off the street to be his models for paintings of extraordinary people. There are more ginormous Jorit murals in the Ponticelli Graffiti park near the airport and in the financial district.

Exit/Enter is a street artist from Firenze who paints whimsical, expressive stick figures. There are a few Exit/Enter works around Napoli, including this one which I though was an angry pizza and a clown. Then I realized the clown looked like a skinny Ronald McDonald. Sure enough-it is titled ‘Pizza vs McDonald’s’! I do not remember the name of the street, but it was also just off of Via dei Tribunali.

Beloved Napoletano singer Pino Daniele passed away in 2015. Pino with his smile and guitar is sainted by artist TvBoy in San Pino Daniele found in Vico dei Panettieri. Grazie to Sara from My Dear Italia for the photo.Mission Possible is the colourful mural by Napoletana artist Roxy in the box (Rosaria Bosso). She includes 2 important figures in the history of Napoli; San Gennaro and Caravaggio. They are casually hanging out reading the New York Times and 24 Ore. It is in Piazza Cardinale Sisto Riario Sforza, near the Duomo, Pio Monte della Misericordia and Via dei Tribunali.

This stencil baby is on an electrical panel is near the lineup to get into the Cappella San Severo. The signature on the bum says Joan Aquito.

Giuseppe Verdi and a Renaissance woman covered by a shop door are the only Blub work I found on the street after visiting the Blub Pompeii inspired exhibit at the Museo Archeologico Nazionale Napoli. I was disappointed not to find Totò, another iconic Napoletano. For more Blub love, read Blub a Napoli and L’arte sa Nuotare.

I hope you enjoyed this street art tour of Napoli Centro Storico! More Napoli information can be found in Un Giorno a Napoli. Ciao, Cristina

Un Giorno a Napoli

06 Thursday Feb 2020

Posted by Un po' di pepe in Art, Italia, Travel

≈ 22 Comments

Tags

Campania, Museo Archeologico Nazionale di Napoli, Napoli, Napoli Centro Storico, Southern Italy, UNESCO World Heritage Sites

Napoli is one of the oldest continually inhabited urban areas in the world. It was founded by Greek sailors from Rhodes in 680 BC. They named her Parthenope after the siren who tried to lure Ulysses. In 474 BC it was renamed Neapolis, meaning ‘new city’ giving us the present name as well as the anglicized Naples. After Roma and Milano, Napoli is the 3^rd largest city in Italia.

Napoli is an open air museum layered with 2800 years of history-from Ancient to Medieval, Renaissance and Baroque, with ruins, castles, historic buildings and monuments. It was one of the wealthiest cities in Europe before Italian unification of 1860. Allied bombing during WWII caused severe damage, resulting in extensive reconstruction after 1945. Napoli’s Centro Storico, the largest in Europe, still has the rectangular grid layout of the original Greek streets, called Decumani and has been a UNESCO World Heritage Site since 1995.

Napoli is underrated, misunderstood and does not get the love it deserves, except from fans of Elena Ferrante novels. News of corruption, the Camorra and ongoing garbage crises give it a bad rep. It it ironic that everyone-including many Italians fears for their life and thinks it is just a crime pit, when Napoli is actually safer than most large North American cities. It is vibrant, wonderfully chaotic, full of life and passionate, friendly people. Napoli has an ‘edge’ to it and is anything but boring!

Not even 2 hours from Orsara di Puglia, I had only been to Napoli to take ferries or fly home. 2 years ago, I decided just days in advance to arrive by bus the day before my flight and stay 24 hours. Best plan ever! Last year I went for the day with my cugino who had an airport pickup, and took the bus home for €11.

I would not advise anyone to see Napoli in one day. 3-4 days is needed, not including daytrips to Pompeii, the Amalfi Coast, Capri or Ischia. However, if you have only un giorno-one day to spare, because you are headed somewhere else or taking a daytrip, this is my suggested itinerary!

My first full day in Napoli was a last minute plan. I had 4 ‘must see’ things on my list. They were all walking distance from Piazza Dante, so I booked a night at the wonderfully named ‘Il Paradiso di Dante’. If arriving at the Stazione in Piazza Garibaldi or the bus terminal behind it, all of the destinations are easily reached on foot or by Metro. A day ticket for the Metro is €4.50. From Capodichino airport, the Alibus is a 15 min non-stop ride to Piazza Garibaldi for €5.

I realize few people will drool over ancient frescos or Caravaggio for as much time as I do, so I am adding a few extra sites along the way. This itinerary can be done in reverse and/or in different order.

The first stop on any visit to Napoli is for Sfogliatelle –crunchy layered pastry, filled with sweet ricotta, lemon and candied peel. Sfogliatelle in Napoli are delicious and inexpensive. The best are served straight from the oven at Antico Forno Attanasio, Via Ferrovia 1-4 just a few blocks from Piazza Garibaldi. At €1.30, why stop at just one? The lineup moves quickly. The sign above the oven says ‘Napule tre cose tene belle….o’ mare o’ vesuvio e sfogliatelle’ / Napoli has 3 beautiful things….the sea, Vesuvius and sfogliatelle.

Walk down Corso Umberto I to Via Duomo (or Metro to Museo if reversing). Turn right on Via dei Tribunali a long narrow street packed with great stuff. It is one of the original Greek Decumani. Napoli has elevated graffiti into an art form, so keep an eye out for cool street art.

First stop is the small octagonal church Pio Monte della Misericordia to see Caravaggio’s masterpiece 7 opere di Misericordia-7 Acts of Mercy hanging where it has been for over 400 years. Napoli has been a capital of the Baroque since the 1606 artistic revolution following the arrival of Caravaggio. Admission is €8. Open daily from 9:00-18:00 except Sunday it closes at 14:30. Do not miss this and click the link to read my post!

Not even 100 m away is the Duomo Santa Maria Assunta built on the site of a temple of Neptune. It was ruined in the 1456 earthquake and repeatedly renovated, resulting in a mishmash of styles and a Neogothic facade. The church is often called San Gennaro- Napoli’s patron saint. The Cappella di San Gennaro contains an ampule of his blood that is brought out on the 1^st Saturday in May, September 19^th and December 16^th for the miracle of his blood liquefying.

Duomo di Napoli. Image Wikimedia Commons

The entrance to Napoli Sotterranea is close by on Via dei Tribunali. Napoli’s stratified history is visible here…..40 m below street level are Greek structures, Roman aqueducts and cisterns, catacombs, a Bourbon royal escape tunnel and stuff left over from 1945 when the underground was an air raid shelter! The tour is 1.5 hours so I have never had enough time, but it sounds fascinating!

At Piazza San Gaetano turn left onto Via San Gregorio Armeno. Napoli has a long presepio– Nativity Scene tradition. This street is full of artigiani– artisans making presepio pieces along with figurines of contemporary personalities. I like to visit the bottega of Antonio Pepe.

Via San Gregorio Armeni Napoli, Antonio Pepe, www.unpodipepe.ca

‘Lavorazioni di Pastori e Scenografie Presepiati Antonio Pepe’, Via San Gregorio Armeno, Napoli (no relation!)

The end of this street intersects with the one parallel to Via dei Tribunali, another of the Decumani, called ‘Spaccanapoli’ meaning ‘cut across Napoli’ because it cuts the centro storico in half. There may be time later to visit the Chiostro di Santa Chiara, cloisters with beautiful majolica tile work.

Back on Via dei Tribunali turn left at Piazza Luigi Miraglia to Via Francesco de Sanctis 19, the Cappella San Severo. My Zia told me not to miss this! It is a Baroque chapel with strict security, admission limits and no photography allowed. Lineups can be long, but I only waited 30 minutes.

The main attraction is Giuseppe Sammartino’s jaw dropping 1753 sculpture Cristo Vellato- Christ laying on a mattress, covered in a sheer veil with a lace edge-all sculpted out of marble. It is so lifelike, the urge to reach out and touch it is hard to resist. The owner, Prince Raimondo di Sangro dabbled in alchemy. Baroque urban legend is that he taught the artist how to calcify a veil with marble crystals…but it is actually sculpted. The small Chapel is filled with other magnificent works of art. Admission is €8 or online €10. Open 9:00-18:00. Closed Tuesdays! It may be better to see this first then walk back to Via S Gregorio Armeno.

When hunger strikes, there is plenty of cibo di strada-street food available on Via dei Tribunali and Spaccanapoli. Fritto misto –fried fish or vegetables in paper cones, pizze fritte and pizza al portafoglio are all delicious. Sfogliatelle and babà are €1!

Via dei Tribunali is also home to Gino Sorbillo pizza, which always has lineups. The line moves quickly, but with a shortage of time, try one of the less known places. It is hard to find bad pizza in Napoli!

Exit Via dei Tribunali through the Port’Alba to Piazza Dante on Via Toledo. From here, walk or take the Metro 1 stop to Museo. Walking will take almost the same amount of time. The Museo Archeologico Nazionale Napoli (MANN) is massive and has the world’s biggest collection of Greco Roman art and artifacts. For archeology nerds like me, this is Heaven and it needs its own post. The frescoes and artifacts from Pompeii and Ercolano/Herculaneum are here, and the massive Farnese collection sculptures such as Toro Farnese. The Gabbinetto Segreto is a secret room full of ancient erotica, mostly from Pompeii’s brothel. Admission is €18 and well worth it. Tickets can be bought online. Open from 9:00-19:30- later than other places, but it is closed Tuesdays! Read more about MANN in Blub a Napoli. The day can also start at MANN, doing the itinerary in reverse.

Depending on how much time is spent walking, visiting all of the above and when you need to leave, there may be time for more. Take the Metro 2 stops to the award winning Toledo station, walk to the end of Via Toledo to Piazza del Plebescito, one of the largest piazze in Italia. On Via Chiaia is Caffè Gambrinus the historic caffè letterario where European intellectuals including Oscar Wilde, Hemingway, D’Annunzio and Totò hung out. Mussolini shut it down for being antifascist. That alone is reason to have another sfogliatella there-even take-out will cost more due to the location, but worth it.

If you somehow still have time left, walk to Galleria Umberto I, Teatro San Carlo Opera House or Via Santa Lucia by the harbour and Castel dell’Ovo. Need more sfogliatelle? Stop at Pintauro, Via Toledo 275. Then take the Metro back to Piazza Garibaldi.

Napoli is great to visit any time of year! Remember that MANN and the Cappella San Severo are closed Tuesdays. Busier times include December for the Presepi on display and the 3 San Gennaro dates. I have only been in July or August when a lot of Napoletani are at the beach. There are less cars on the road-according to my taxi driver-named Gennaro of course! He was so impressed that I was able to understand him! We had many neighbours and friend from Napoli when I was growing up so I understand Napoletano quite well.

An old saying goes ‘Vedi Napoli e mori’. I hope you enjoyed un giorno a Napoli-I guarantee you will be back! Have an extra sfogliatella for me! Buon viaggio, Cristina

Stay tuned for my next post on Napoli street art!

Il Zampognaro

22 Sunday Dec 2019

Posted by Un po' di pepe in Feste, Italian life, Parole piacevoli

≈ 10 Comments

Tags

Abruzzo, Italian Christmas, Italian Christmas traditions, Natale, Presepio, Southern Italy, UNESCO World Heritage Sites, Zampogne

Il Zampognaro (zahm•poh•NYAH•roh) is a part of most Italian Presepi or Nativity scenes. Zampognari are traditional Abruzzese shepherds, playing bagpipes known as zampogne (zahm•POH•nyeh). I have wanted one for a long time, and wrote about it in Il Presepio and Il Presepio di Mamma. Last year in Napoli’s Via San Gregorio Armeno I was so overwhelmed that I forgot to look for one!

‘Lavorazioni di Pastori e Scenografie Presepiati Antonio Pepe’, Via San Gregorio Armeno, Napoli (no relation!)

This year, I spent a few days in Lecce before going to Napoli. Lecce is known for cartapesta-papier maché and I saw Nativity figures, so I searched and found my hand made glazed terra cotta zampognaro. He is smaller and does not look like the other figures, but he has so much character with his puffy cheeks, I can almost hear him playing Tu Scende dalle Stelle….

Are you wondering why Abruzzese bagpiping shepherds are in Italian presepi? It has to do with la transumanza, the migration of animals along tratturi-established paths in use since pre Roman times that were protected by royal decree. Pastori-shepherds moved their animals from the mountains of Abruzzo and Molise where they grazed in the summer, to la pianura, the lowlands of Puglia. They did this to escape the snow, and in spring the sheep and goats were herded back to Abruzzo. The tratturi were used into the 1960’s, then trucks replaced the crossing by foot. view-from-hotel-certosa

During le feste Natalizie, December 8th to January 5th, zampognari in traditional dress would go to the villages to play for extra money or food, thus the zampognaro became symbolic of Christmas in Italia and earned a place in the Presepio.

La Transumanza: Cammino Reale/Royal Shepherd’s Track has been on the tentative list of UNESCO’s World Heritage Sites since 2006. On December 11, 2019, it received UNESCO designation as ‘intangible cultural heritage of humanity’! Auguri zampognari! Do any of you have un zampognaro? Presepio 2019

Cari lettori di Un po’ di pepe, Vi augura un Buonissimo Natale e un meraviglioso 2020 piena di gioia e salute!

Dear readers of Un po’ di pepe, I wish you a very Merry Christmas and a marvelous 2020 filled with health and joy!

Ciao, Cristina

Troia 1019-2019

05 Saturday Oct 2019

Posted by Un po' di pepe in Architecture, Italia, Photography, Puglia

≈ 8 Comments

Tags

Diomedes, Italy travel tips, Romanico Pugliese, Southern Italy, UNESCO World Heritage Sites, Wines of Puglia

According to legend, Troia (TROH∙yah) was founded by the Trojan War hero Diomede (Diomedes) in the 10^th century BC. After the fall of Troy, he found out his wife was unfaithful. Instead of going home to Argos, Diomede travelled around the Adriatic, settling in the Daunia area of Puglia. Troia, also spelled Troja, was at the junction of the Via Traiana –the road from Benevento to Brindisi, and the road to Siponto (Sipontium). The Romans called it Aecae. In 1010, a medieval settlement was built on the ruins of the ancient city, and in 1017 a Byzantine fortress to protect against Saracen invaders. Modern Troia was founded in 1019, making this year its millennia!!! Auguri Troia!

Troia was ruled by powerful bishops, and they built a magnificent cattedrale (cathedral), an exquisite example of Romanico Pugliese, a unique architectural mix of Pisan Romanesque, Arab and Byzantine inspired features. It was an important connection between the Norman kingdoms of Southern Italia and the Pope. Completed in 1119, this architectural capolavoro or masterpiece is celebrating its 900^th anniversary!

The stunning rosone-rose window is made up of 11 thin columns, each with a delicate stone ‘screen’ finely carved with Islamic inspired geometric designs. The 11 ‘petals’ or segments each have a different pattern. They look like they are woven out of stone. 11 is an unusual number of sections for a rose window, or for anything, actually. There could be some interesting numerology related to this building.

The upper façade is elaborate, with the rosone and gargoyles. The arches around the window are decorated with an odd but fascinating assortment of primitive looking animal and human sculptures and are held up on either side by Pugliese lions.

The lower front is a 7 arch façade-the center one being the main entrance through bronze doors with the most magnificent dragon handles. They look straight out of Trono di Spada (Game of Thrones)! The doors were built in 1127 by Oderisio da Benevento. The doors are decorated with reliefs and inscriptions. There are 10 knockers; 8 lions and 2 wyverns, which are small 2 legged dragons. On each side of the door are 3 blind arches topped with geometric carvings and a round window on the middle arch. The arches on the side of the building are topped with geometric sun and moon patterns in green stone. The main doors are closed and entry is only through the side door, another bronze by Oderisio da Benevento. The church is usually open during the day, and of course during Masses.

In contrast to the ornate exterior, the interior of the cattedrale is simple. The design is a Latin cross plan with 3 aisles separated by 13 Corinthian columns, 2 rows of 6 and a 3^rd row in the SW corner with only one column, as seen in the photo below. These represent the 12 apostles and Christ. There is no ceiling, the beamed wood roof is exposed. The Cathedrals in the Romanico Pugliese style, including Troia’s, are on the tentative list for UNESCO World Heritage Sites. This is the step before becoming a heritage site!

The 1169 pulpit dates to 1169 has an interesting relief carved on one side. It is a dog biting the back of a lion, who is biting the neck of a lamb and is visible in the photo below. The dog symbolizes God, who is faithful and vigilant, preventing poor judgement and heresy (the lion) from devouring the church (the lamb).

Il Museo del Tesoro della Cattedrale di Troia (the cathedral treasury) is worth a visit for rare 11^th century parchments and other medieval sacred artifacts. There are only 32 illuminated Exultet codes (Easter scrolls) in the world, and 3 of them are here. Also worth seeing is Il Capitello delle Quatre Razze (Column of the 4 Races). This is a 13^th Century column with 4 heads, one on each corner, depicting the 4 races of man known before 1492- European, African, Asian and Arab. Admission is free, but it is only open Tuesday and Thursday 17:30-20 and Saturday 10-13. Mondays are only open for school groups with appointments. Call ahead, as they may open for groups 0881 97 00 20.Troia is named for the ancient city, but unfortunately ‘troia’ is also Italian slang for ‘slut’. My best guess is that the origin of this term is from Elena di Troia (Helen of Troy) who was an adultress. Don’t let the name put you off though. Troia is a charming town with a beautiful centro storico. It is also way off the radar for most visitors to Puglia, so you will not find any crowds. As an added bonus, you can find Nero di Troia vino everywhere! Read more about this lovely vino in Vini di Puglia. My Zia lives in Troia, so I have been there a lot. Here are some interesting Troia facts… #1-I had my confirmation at the Cattedrale di Troia when I was 15! Interesting fact #2-Troia is the only municipality in Italia providing free public transportation!

Get off the bus from Foggia or park the car near La Villa Comunale and Bar Cluny. Walk down Via Regina Margherita to explore the centro storico. The Cattedrale is half way down this long, narrow street, which is lined with shops and interesting doorways. Stop at the award-winning Pasticceria e Gelateria Artigianale Aquilino for a decadent treat. Visit the oldest church in Troia, the Byzantine San Basilio with ox heads around the altar. It was originally a Greek Orthodox temple. The haunted Palazzo D’Avolos is now home to the Civic offices and Civic Museum. Wander into the narrow side streets and you may come across a Fiat 600 or some work by local artist Leon Marino.

Troia has a population of about 7000. It is situated on a hill, 439 m above the Tavoliere plain, 22 km SW of Foggia, 15 km south of Lucera and 14 km east of Orsara di Puglia. The surrounding landscape is a beautiful blanket of wheat fields, vineyards and olive groves- like the view from the abandoned Celle Sant’Antonio, just outside of Troia.

Ferrovie del Gargano buses arrive regularly from Foggia and Lucera. The ticket is €1.80. If taking the train to Foggia, the bus station is conveniently next door. Troia has several B&B’s including Alba d’Oro, Stella and Svegliarsi nei Borghi. There is even a car rental agency, Automottola, on the edge of town, towards Foggia. For more information check out Troia’s website.Read more about Troia and Diomede in Puglia-Mia Regione Preferita. Have any of you readers who are not related to me been to Troia?

Ciao e buon viaggio, Cristina

Puglia~Mia Regione Preferita

26 Sunday May 2019

Posted by Un po' di pepe in Italia, Photography, Puglia, Travel, Vino

≈ 26 Comments

Tags

Cucina povera, Cucina Pugliese, Diomedes, Dolcevitabloggers, Parco Nazionale del Gargano, Romanico Pugliese, Southern Italy, Top 10 reasons to love Puglia, Trabucchi del Gargano, UNESCO World Heritage Sites, Vini di Puglia

Italia has 20 regioni /regions. So far, I have been to 14 of them. I love them all, but my absolute favourite is Puglia. Why? Well, aside from the obvious reason that it is home, there are countless others. I have narrowed this post down to my top 10 reasons to love Puglia-in no particular order. There are a lot of links to previous posts included here. Please check them out! Many of my Puglia posts were written when this blog only had about 27 readers, 80% of them related to me. These posts need some new love!1) 840 km of coastline-That is a lot of beach! The transparent turquoise colour of the water is real.Earlier this month, 13 Pugliese beaches received the environmental designation Bandiera Blu, including Polignano a Mare, Margherita di Savoia and Peschici.

2) Cucina Pugliese is rustic cucina povera or peasant food, focusing on the freshness and simplicity of the ingredients that are in season.

Pugliese specialties include orecchiette al sugo, orecchiette con cime di rape, grano arso, fave e cicorie, burrata, pancotto e patate, polpo, pesce, focaccia Pugliese, taralli, cartellate, pasticciotto, and pizza con la ricotta. Everything is drizzled with Pugliese ‘liquid gold’, extra virgin olive oil.

I hope I have made you hungry. Buon appetito!

3) Vino- Oenotria ‘Land of Wine’ is the name the ancient Greeks gave Puglia. 425 km long, Puglia has a diverse agricultural landscape with mountains, plains, the Mediterranean sun, coastal sea breezes and fertile soil. The climate is hot and dry, especially during the summer. The name Puglia comes from the Latin ‘a pluvia’ meaning without rain. These environmental features, plus the presence of vitigni autoctoni (Native or Indigenous species of grapes) create an ideal environment for growing grapes and producing vino.

Vino is my favourite topic of research. A few years ago, I published a Vini di Puglia trilogy-a series of 3 blog posts on the wines of Puglia! Vini di Puglia is about the ‘big 3’ Negroamaro, Nero di Troia and Primitivo. Part 2 Aglianico to Zibibbo is about all the other grapes of Puglia plus a glossary of viniculture terms in Italiano. Il Tuccanese a grape native to Orsara di Puglia is the last post in the trilogy. Salute!

4) Architettura. Puglia has it’s own architectural style-Romanico Pugliese (Pugliese Romanesque). Puglia was at the crossroads between Europe and the Crusades in the 11th-13th Century. Many cattedrale were built in this style, including those in Troia, Trani, Bari, Otranto, Molfetta, Bitonto, Siponto and Ruvo di Puglia. Romanico Pugliese is a unique architectural style distinguished by elements of both Eastern and Western elements. These include vaulted ceilings, Byzantine semicircular cupolas, porticoes held up by marble lions, and intricate decorations with classical Byzantine and Arab features. The Romanesque Cathedrals in Puglia are on the UNESCO heritage sites tentative list, which is the step before heritage designation.

The 11 sectioned rosone pictured here of the Cattedrale di Troia built in 1145 AD looks like it is woven in stone. Other architectural styles specific to Puglia are the Barrocco Leccese found in Lecce and the mysterious Castel del Monte in Andria built by Federico II, which is its own unique entity.

5) Promontorio del Gargano One of the most beautiful areas on earth, Il Promontorio del Gargano (gar·GAH·noh) is the promontory sticking out above ‘il tacco’, the heel of Italia. You can also think of it as la caviglia-the ankle spur of Italia. Surrounded by the Adriatico on 3 sides, the area is more like an island; biodiverse with unique flora and fauna. Most of the promontorio is a protected area and marine reserve, Il Parco Nazionale del Gargano, which includes le Isole Tremiti and the ancient Foresta Umbra. Fortunately, this has prevented development by large multinational hotels and resorts.

Il Gargano is famous for picchi (woodpeckers) and other birds, 300 varieties of orchids, almonds and olives. There are endless ancient hillside olive groves, pine forests, sea grotte, limestone cliffs, rocky shores, crystalline water and fresh seafood.

Baia delle Zagare

The winding road around the Gargano, SS 89 from Foggia, has sharp turns and viste mozzafiato (VIS·teh moz·zah·FYAH·toh)-breathtaking views. One of my favourite viewpoints is La Baia delle Zagare, where the battle scene between the Amazons and Germans in the movie Wonder Woman were filmed!

6)Trabucchi Trabucchi (tra∙BOO∙kkee) are old fishing contraptions found on the Adriatic coast of Abruzzo, Molise and Puglia. The design probably dates back to the ancient Phoenicians. Trabucchi have fascinated me since I was a child, taking l’Adriatico, the night train from Bologna to Foggia on a stormy night. They looked like giant alien octopi coming out of the sea! There are 13 functioning trabucchi on the coast of the Promontorio del Gargano between Peschici and Vieste, the oldest dating back to the 18th century. They are protected as National cultural heritage sites within the Parco Nazionale del Gargano. Read more in I Trabucchi del Gargano.

7) Trulli-These traditional limestone houses are unique to the Val d’Itria in Southern Puglia. They were built ‘a secco’, which means dry-without mortar. Trulli have domed cone-shaped roofs built up of overlapping grey limestone slabs called chiancharelle (kyan•ka•REL•leh).

‘La Zona dei Trulli’ includes the areas around Locorotondo, Fasano, Cisternino, Martina Franca, Ceglie Massapica and the largest concentration of 1,620 trulli in Alberobello. Alberobello and its trulli are a UNESCO World Heritage Site. Read more about trulli in I Trulli di Alberobello. 8) History/Connection to the Iliad Can any other region say it was founded by a Trojan War hero? According to legend, after the fall of Troy the mythical hero Diomede (Diomedes) found out his wife had been unfaithful. Instead of returning home to Argos, he sailed the Adriatic, created the Isole Tremiti, and then was invited by Daunus, King of the Daunia (modern Provincia di Foggia) to settle there. Diomede allegedly planted the first grape vines in Puglia, brought with him from Greece. He also founded many other towns in Puglia. Diomede was allegedly shipwrecked and died near the Isole Tremiti.

La tomba di Diomede on San Nicola.

An unmarked Hellenic period tomb on San Nicola is known as ‘la tomba di Diomede’. According to legend, his crew was so upset that the Goddess Venus took pity on the grieving men and turned them into birds that continue to cry for their loss. The scientific name for the Great Albatross common in the area is ‘Diomedea’. These birds look like seagulls and sounds like a crying newborn. There is a scene in Fellini’s fim ‘Otto e mezzo’ (8½), where a cardinal tells this story to Guido (Marcello Mastroianni).

A Diomedea, San Domino

9)Paesaggi- The landscape of Puglia is varied and beautiful, made up of wheat fields, olive groves, vineyards and rocky coastline. The region has 60 million olive trees, including ulivi secolari-centuries old trees with knotted, gnarled trunks that have been twisted by time and wind. Puglia’s trees produce 40% of the olive oil in Italia.

10) Slower pace Most of Puglia is still very much ‘real italia’, less commercialized and touristy, with great places to visit. I am often told my photos look like they are from old movie sets. Even though Puglia is often on the ‘places to see this year’ lists, it is uncrowded. This is partly because it is poorly served by public transportation, and also because most foreigners visiting Puglia only go to the Salento and Alberobello! Italians from other regions travel to Puglia a lot, making it a great place to practice speaking italiano! Check out the posts A Perfect day in Italia and Il Sole di Metà Pomeriggio for more paese scenes.Have you been to Puglia, mia regione preferita? Let me know in the comments.

This post is written as part of the #dolcevitabloggers monthly blogging linkup, hosted by Jasmine, Kelly and Kristie the 3rd Sunday of the month. Click the link to check out what the rest of the Dolce Vita bloggers have written on this month’s topic.

Ciao, Cristina

Cristo si è Fermato a Eboli

20 Sunday Jan 2019

Posted by Un po' di pepe in Inspiration, Italia, Libri

≈ 32 Comments

Tags

Aliano, Basilicata, Carlo Levi, Dolcevitabloggers, Italian literature, Matera, Southern Italy

‘Cristo si è Fermato a Eboli’ /Christ Stopped at Eboli is Carlo Levi’s memoir about his year as a political prisoner in Basilicata in 1935-36. Levi (pronounced LEV∙ee) was a doctor, writer and artist from a wealthy Jewish family in Torino. He was exiled to Aliano*, a small village in Basilicata for his Anti-fascist views and writing. Eboli is south of Napoli, where the road forks inland and the railway does not. The title is a local expression suggesting that even Christ didn’t make it as far as Basilicata so they are a God forsaken land beyond civilization and beyond hope. Obviously the Mussolini government agreed, since their strategy to silence outspoken critics was house arrest in the south! Levi comes into contact with profound poverty, distrust, class differences, spells and superstition in a remote, neglected part of Italia.

Levi graduated from medical school in 1924 and did 4 years of lab research, but had not actually practiced medicine on humans. He was not keen on practicing, but reluctantly did so, since the 2 doctors in Aliano were incompetent and lacked any compassion. The people did not fully understand him or why he was there, often commenting ‘someone in Rome must have it in for you’. Levi comes to empathize with the peasants, becoming a much loved member of the community.

Published in 1945 after the liberation of Italia, Cristo si è Fermato a Eboli was an immediate hit with both the public and critics. It gave the people a voice and brought attention to the region, including the socioeconomic problems and political neglect.

Cristo si è Fermato a Eboli /Christ Stopped at Eboli is required reading before visiting Matera, the 2019 European Capital of Culture. Near the beginning of the book, Carlo’s sister Luisa, a practicing doctor, visits and brings medical supplies. She needs a form stamped at the police station in Matera before she is allowed to see him. Luisa describes the Sassi as:

‘a schoolboy’s idea of Dante’s Inferno’…….‘I felt, under the blinding sun as if I were in a city stricken by the plague. I have never in all my life seen such a picture of poverty. ..This is how 20,000 people live!’

There was a 50% infant mortality rate, malaria, dysentery and trachoma. Carlo spends a few hours in Matera near the end of the book and says:

‘I had time to see the town and then I understood my sister’s horror, although at the same time I was struck by it’s tragic beauty’.

Matera’s situation continued on unnoticed- until the 1945 release of this book. If you have not read my Matera post, please click on ‘I Sassi di Matera’.

I have read this book in both english and italian. If I had to pick a favourite Italian book or book about Italy, this is it. It is very philosophical and it is obvious from Levi’s writing and paintings that this experience affected him profoundly. He writes with great sensitivity and his paintings from Basilicata show an unbelievable amount of emotion and humanity. The paintings are on permanent display in the Museo di Arte Medievale e Moderna in Palazzo Lanfranchi, Matera and in the Museo della Civiltà Contadina in Aliano. Levi fought for social justice and went on to become a Senator of the Italian Republic. He is buried in Aliano, where he had requested to be ‘between the peasants’ whose endurance he so greatly admired.

Have you read Cristo si è Fermato a Eboli? Let me know your thoughts in the comments. Buona lettura, Cristina

This post is written as part of the dolcevitabloggers linkup, hosted by Jasmine, Kelly and Kristie the 3rd Sunday of every month. Click #dolcevitabloggers to read blog posts by other participants

Images:

-my 1996 English edition nonna cover

-detail from Lucania ’61 mural by Carlo Levi in Palazzo Lanfranchi, Matera, Wikimedia Commons

-my 1978 Italian edition book cover with the painting ‘Il figlio della parroccola’ Pricetag says £ 1.800!

*Note-Aliano is called Gagliano in the book, although no explanation is given

Tutti i Santi

01 Thursday Nov 2018

Posted by Un po' di pepe in Feste, Italia, Italian Folklore, Orsara di Puglia, Photography, Puglia

≈ 10 Comments

Tags

#quinonehalloween, All Saints' Day, Falò e Teste del Purgatorio, Fucacoste e Cocce Priatorje, Muscitaglia, November 1st, Pugliese Traditions, Pumpkin carving, Southern Italy, Tutti i Santi Festa

November 1^st is Tutti i Santi-All Saints’ Day and is a national holiday in Italia. It was created in the 9th century when the Pope superimposed a Christian feast day onto existing rituals, so this festa has been around for a very long time. Tonight is also an ancient festa celebrated in Orsara di Puglia called Fucacoste e Cocce Priatorje which is dialetto Orsarese for ‘Falò e teste del Purgatorio’. This translates to ‘Bonfires and heads from purgatory’ the ‘heads’ being zucche lanterne-carved pumpkin lanterns. For simplicity, it is also called ‘Tutti i Santi’ or ‘La Festa dei Morti’.

The night between November 1^stand 2^ndprovides the opportunity to honour, reconnect and pay respect to the spirits of loved ones. I wrote about the festa in a 2014 post Fucacoste e Cocce Priatorje, but at that time I had not attended. I had only heard about it from my parents, family and friends. Last year I had the opportunity to attend. It was cold but the night was clear and an absolutely amazing, magical, spriritual experience-for me and at least 20,000 others. Orsaresi who live in other parts of Italia and Europe come home for the festa, and visitors come from all over Puglia. Since it is a holiday, many families are able to take an extra long weekend known as il Ponte dei morti.

It is believed that this night between Nov 1 and 2, the souls of the recently dead return among the living to visit their relatives and their former homes before moving on to Paradiso. Bonfires are lit with wood and branches of ginestra (broom). The light of the fires and the crackling and sparks of the ginestra reaching for the sky attract the spirits, to reunite the living with those who continue to live only in our memories. The light inside ‘cocce priatorje’, pumpkin lanterns carved to look like heads or carved with crosses-light their way to find their former home.

My paesani are busy preparing for the festa for days. Preparation involves gathering firewood and ginestra, preparing food for family and friends and picking hundreds of locally grown zucche which are carved and placed all over Orsara. Restaurants and bars prepare for one of their busiest nights of the year. There is even a laboratorio di intaglio delle zucche– a pumpkin carving workshop. My street, balcony and front door were decorated with zucche. In the evening zucche are exhibited and there is a contest for ‘la zucca più bella’.

When the campanile, the church bell tower, strikes 1900 hours, Orsara di Puglia ‘catches fire’. Bonfires are simultaneously lit in every street and piazza and remain lit through the night. The fires, illuminated zucche, music and people in the streets create a magical, enchanted atmosphere. There are 3 large municipal falò, and every quartiere – neighbourhood, and many families also light their own.

I made a point of getting off of the main Corso to visit some of the smaller personal falò. In honour of the dead, simple but symbolic seasonal foods are cooked on the open fires and also served as cibo di strada-street food. These include patate -potatoes, cipolle-onions, salsicce-sausages, castagne-chestnuts and pane cotto-bread cooked with garlic, potatoes and greens.

Muscitaglia (moo•shee•tah•lyah) is a traditional dish served November 1^stlikely dating back from the ancient Greeks and Byazantines. Muscitaglia is made up of the Greek and Latin words mosto (wine must) and talia (grain). The ingredients include boiled grain and vino cotto. Semi di melagrana e pezzi di noci -pomegranate seeds and walnut pieces are often added. These ingredients are symbols of fertility and abundance, but also of honour and respect for the dead.

Fucacoste e Cocce Priatorje has often been confused by visitors with the Anglosaxon Hallowe’en, but it is an entirely different event. Besides the obvious fact that the date is different, dressing up in costume is not part of the custom and there is nothing scary or evil about it. This is the reason for the hashtag #quinonèhalloween. There are more similarities with Mexico’s Dia de los Muertos/Day of the Dead. This event is about being together in community to celebrate the bond between the living and those who we remember in our hearts. It is also to remind us that our time on earth is precious. The following day, November 2^nd is l’Anime dei Morti-All Soul’s Day, and it is customary to go to the cemetery to pay respects at the resting place of loved ones.

The 9 minute video below features 94 year old Z’Gaetan talking about the festa and its significance.

This lively 48 second video from 2016 featuring the music of Tarantula Garganica will make you all wish you were there tonight:

If you did not watch the video….watch it now! I did not make it there this year, but am looking forward to my next trip to Fucacoste e Cocce Priatorje! Now I am off to my Mamma’s to have muscitaglia! Ciao, Cristina

Un po' di pepe

~ …… (oon∙poh∙dee∙PEH∙peh) Cristina writes about interesting stuff /Cristina scrive di cose interessanti

Tag Archives: Southern Italy

Museo Faggiano

Lecce

Limoncello

Napoli Street Art

Un Giorno a Napoli

Il Zampognaro

Troia 1019-2019

Puglia~Mia Regione Preferita

Cristo si è Fermato a Eboli

Tutti i Santi

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