Category Archives: Art

Giornata della Donna~Mariya Prymachenko

08 Tuesday Mar 2022

Posted by in Art, Inspiration

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Auguri per la Festa della Donna! Today is la Giornata Internazionale della Donna or International Women’s Day-originally known as International Working Women’s Day. There is no one specific organization or event behind International Women’s Day, but it is celebrated in many countries around the world. It is a day to recognize the achievements of women and a call to action towards gender equality.  More about la festa della donna is in this post.

On International Women’s Day, I like to write about the accomplishments of outstanding women. This year, I have appropriately chosen to share Mariya Prymachenko (1909-1997) with you.  Mariya was a Ukrainian folk art painter and embroidery artist from a peasant family in the village of Bolotnya, about 30km away from Chernobyl.  A self-taught artist, Mariya only went to school for 4 years, then developed polio.  She had several surgeries in Kyiv so that she could stand on her own.  There she also met her partner Vasyl in who was killed in WW2 before they had a chance to marry.  Their son Fedir and his 2 sons Petro and Ivan Prymachenko were/are also artists.

650 of Mariya’s works are in the collection of the National Folk and Decorative Arts Museum in Kyiv.  Mariya’s primitive or ‘naive’ style paintings are bold, colourful and expressive, inspired by Ukrainian folk traditions, the natural environment, and fairy-tales. Pablo Picasso said of her ‘I bow down before the artistic miracle of this brilliant Ukrainian‘-and I do not think he was generous with his compliments!

My first exposure to the 2 paintings pictured here ‘A dove has spread her wings and asks for peace'(1982) and ‘Our army, our protectors'(1972) was on Zöe’s post. In light of the unprovoked aggression on the Ukraine from Russia, I found the imagery and the titles of these paintings extremely moving.

Last week the Ivankiv Historical and Local Museum housing 25 of Mariya’s works was burned in the Russian aggression.  It was thought that the works were lost, but according to her grand-daughter Anastasia Prymachenko, local residents ran in and were able to save 10 of Mariya’s paintings. Hopefully the injustice and aggression taking place in the Ukraine will soon come to an end.

Ciao, Cristina

L’ultimo Caravaggio

18 Saturday Jul 2020

Posted by in Art, Art history, Roma

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Martirio di Sant'Orsola Caravaggio's last painting410 years ago today, Caravaggio died in a tavern in Porto Ercole. This is about his last painting and the time I went to see the WRONG Caravaggio. I rarely use the words wrong and Caravaggio in the same sentence, but in this case it works.

A few years ago, I had an extremely Caravaggio’d out day in Roma.  After my visit to Galleria Borghese, I stopped in to see more Caravaggio works at Santa Maria del Popolo, then met a friend at Sant’Agostino to see the Madonna dei Pellegrini. Whew!  I ended up in a Caravaggio Coma and had the best day ever!

When my friend Romano heard I was going to Sant’Agostino, he immediately offered to meet me there.  I remember thinking this was odd, since I knew he had a full day.  As soon as we approached the painting, and he said ‘Questo è il collo più sensuale nella storia dell’arte /This is the most sensuous neck in the history of art’, I realized he was a fellow Caravaggio nerd.  This was, in fact his favourite painting.  Afterwards, we went to have caffè freddo and talked about Caravaggio for an hour!

Romano had recently been to Napoli and told me about a Caravaggio painting in a former church owned by a bank.  The bank bought the building and it came with the Caravaggio!  Whaaaaat!  I knew I had to see this Caravaggio if I was ever in Napoli.  The name or subject of the painting, and the name of the palazzo was not part of our discussion.

I usually fly home from Napoli, arriving in time to have caffè marocchino and a sflogliatella at the airport, then off I go.  2 days before my departure, I decided to arrive a day early, and spend 24 hours in Napoli.

One of the 4 things on my list to see that day was the painting Romano spoke about. I quickly googled ‘Caravaggio, Napoli, decomissioned church, bank’ and all results came to the painting ‘Sette Opere di Misericordia’/Seven Acts of Mercy’ located in Pio Monte della Misericordia.  All 4 of my ‘must see’ places were walking distance from Piazza Dante, and I booked a B&B appropriately called ‘Il Paradiso di Dante’.

Caravaggio Sette opere di misericordia Pio Monte della misericordiaI had heard of ‘Sette Opere di Misericordia’ but was not familiar with the location, where it has been hanging for over 400 years.  Pio Monte della Misericordia seemed to be a functioning church, so I suspected that something was off. I was not too concerned because it was earthshatteringly amazing, as you can tell by my happy photo.  I visited the 3 other places, ate lots of sfogliatelle and had an amazing day.  Read all about it in the post Un giorno a Napoli.

Returning to the B&B-and access to wifi- that evening, I looked it up again.  As I suspected, Pio Monte della Misericordia is a functioning church with an incredible history.  It turns out I went to see the WRONG Caravaggio!  If only all of my mistakes were this amazing!Pio Monte della MisericordiaThere are 3 Caravaggio works in Napoli.  The one Romano saw was Il Martirio di Sant’Orsola /The Martyrdom of St Orsola, Caravaggio’s last painting before his death, and only recently re attributed to him.  He may have even referred to it as ‘l’ultimo Caravaggio’, which would have been a helpful clue, but I did not remember that detail.Martirio di Sant'Orsola by Caravaggio in Palazzo Zevallos Stigliano

Palazzo Zevallos Stigliano was converted to a bank from 1898-1920 and now houses the Banca Intesa San Paolo Collection.  It was not far out of my way back to Piazza Dante, so I could have made it there if I had realized my mistake earlier.  Mannaggia!

The painting was commissioned by Marcantonio Doria, a young banker and collector from Genoa.  His stepdaughter was about to enter a religious order and take the name Suor Orsola (Sister Orsola).  Lanfranco Massa, the art agent in Napoli wrote to Doria on May 11, 1610 that the painting was finished but not yet completely dry, so he had put it out in the sun (bad idea!) and the varnish had gone a bit soft.  Massa also encouraged Doria to commission more Caravaggio works, as patrons were fighting over him and this was a good opportunity.

Caravaggio arrived in Napoli for the second time in October 1609.  Within days, his violent past caught up to him and he was brutally attacked by 4 armed men.  There were rumours he had been disfigured or killed.  His recovery was long, and he produced only 3 paintings during this time.  Sant’Orsola arrived in Genoa June 18, 1610.  Soon afterwards, Caravaggio set sail for Roma to finally receive a pardon for his murder conviction from Pope Paul V.  He died enroute in Porto Ercole on July 18th 1610 from a staph infection caused by the attack.Book cover L'ultimo Caravaggio, Martirio di Sant'Orsola

The subject of the painting, Orsola, and her 11 companions were captured by the Huns on the way back from a pilgrimage to Roma.  The companions were killed, but Attila the Hun was impressed by Orsola’s modesty and beauty.  She refused to marry him and he shot her with an arrow.  The painting captures the moment of action when the arrow strikes her. She is deathly pale as she looks down at the entry wound with a surprised expression, as if to say ‘Oh my….look…there is an arrow sticking out of my chest’.  The painting is looser and more impressionistic than usual, as if it was painted in a rush.  It is very dark, less chiaro, more scuro and does not have the divine light present in most Caravaggio works.  He was going through a difficult time, which is reflected in the darkness and mood of the painting.  One of the shocked bystanders behind Orsola is Caravaggio in his last selfie.

Caravaggio-Martirio-Sant-Orsola-2

The Doria estate eventually ended up in Napoli, bringing Sant’Orsola back home. In 1854, it was listed in the inventory of Giovanni Doria’s inheritance along with Palazzo Doria D’Angri. Caravaggio only signed one of his works. The Doria family owned this painting for 300 years-so long that over time the artist was forgotten. Oops!  Caravaggio’s influence and style defined painting in Napoli for several centuries.  During a 1963 exhibit in Napoli called ‘Caravaggio e Caravaggeschi’, Sant’Orsola was attributed to Mattia Preti (1613-1699), although several art historians believed it to be  Caravaggio’s work.  In 1973 Baronessa Avezzano sold it to Banca Intesa.

In 1980, in the Doria family archives, art historian Vincenzo Pacelli (1939-2014) found the letter from the agent which I mentioned earlier, confirming that Sant’Orsola was painted by Caravaggio. Finalmente!Martirio di Sant'Orsola Caravaggio's last painting

Palazzo Zavallos Stigliano is on Via Toledo 185, Napoli, not far from the Toledo Metro station.  Admission is €5. It is closed Mondays.  Hours Tu-F 10-18, Sat/Sun 10-20

Links: For more about the life and death of the Baroque Bad Boy – Caravaggio.

To recreate my Caravaggio coma day in Roma –Caffè con Caravaggio a Roma

I hope you found my convoluted story molto interessante!

Ciao, Cristina

Quarantine Selfie Collage

30 Monday Mar 2020

Posted by in Art, Art projects

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Running out of things to do during this crazy quarantine? Art is a great stress reliever. Try this ‘Quarantine Selfie’, an art project suitable for the whole family. This project was my 2nd ever blog post-back in 2014, and I think only 12 people read it. If the painting looks familiar, it appeared-wearing an N95 mask-a few weeks ago in the post COVID 19 Andrà tutto bene. Stay safe and make art! Ciao, Cristina

Un po' di pepe

Autoritratto, 2013 Autoritratto, 2013

Autoritratto (ow∙tow∙ree∙TRAT∙tow) means self-portrait. Who says ‘selfies’ can only be done via phone? Try this mixed-media collage project to make your own selfie at home.

You will need:
 -3 self portraits on paper, all close to the same size
 -a hard surface such as a wood panel, cradled wood panel or board
- acrylic matte medium. This is acrylic paint without the colour, and it can be used as a glue and also as a protective coating over top of your work
- bits and pieces of old artwork to collage

selfiestuff

  1. Draw or paint 3 ‘selfies’ on paper. If you are like me, you have lots of them lying around from different art classes. You can also make 3 photocopies of the same image, and colour each one differently.
  2. Crumple each selfie into a ball.
  3. Open them up again and tear into several pieces.
  4. Find your…

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Napoli Street Art

29 Saturday Feb 2020

Posted by in Art, Italia, Photography

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volto di Sophia Loren Napoli street artNapoli is gritty, wonderfully chaotic, passionate and anything but boring, making it a perfect place for self-expression.  Graffiti is not a new concept to the Napoletani.  Ancient graffiti can be found in Pompeii, including ‘I was here’ type messages and suggestive notes written on the walls of the brothel.  In the historic center of Napoli graffiti, posters and murals have been elevated to a fine art form.  I was in Napoli on a search for Blub street art and ended up finding so much more.

Volto di Sophia, a colourful Bollywood inspired portrait of iconic Napoletana Sophia Loren is on Vico dei Zuroli, just off of Via dei Tribunali.  The artist is Stikki Peaches, originally from Montreal.Madonna con la Pistola Banksy Napoli street art

Madonna con la Pistola is the only work in Italia by the elusive and mysterious English street artist Banksy.  It is in Piazza Gerolamini, off of Via dei Tribunali.  The Madonna in ecstasy with a gun in place of a halo is the artist’s exploration of the relationship between religion and organized crime.  It has now been covered by glass for protection from the elements.

Street portrait of San Gennaro by Jorit AgochSan Gennaro, a hyperrealistic 15m high portrait of Napoli’s patron saint is by Italian- Dutch artist Jorit Agoch (Jorit Ciro Cerullo).  It is on Via Forcella near the Duomo.  The model is the artist’s friend, a mechanic also named Gennaro.  This could be an homage to Caravaggio, who would take ordinary people off the street to be his models for paintings of extraordinary people. There are more ginormous Jorit murals in the Ponticelli Graffiti park near the airport and in the financial district.Pizza vs McDonalds

Exit/Enter is a street artist from Firenze who paints whimsical, expressive stick figures. There are a few Exit/Enter works around Napoli, including this one which I though was an angry pizza and a clown.  Then I realized the clown looked like a skinny Ronald McDonald.  Sure enough-it is titled ‘Pizza vs McDonald’s’! I do not remember the name of the street, but it was also just off of Via dei Tribunali.

San Pio Daniele TvBoy Street ArtBeloved Napoletano singer Pino Daniele passed away in 2015. Pino with his smile and guitar is sainted by artist TvBoy in San Pino Daniele found in Vico dei Panettieri.  Grazie to Sara from My Dear Italia for the photo.Mission Possible is the colourful mural by Napoletana artist Roxy in the box (Rosaria Bosso). She includes 2 important figures in the history of Napoli; San Gennaro and Caravaggio. They are casually hanging out reading the New York Times and 24 Ore.  It is in Piazza Cardinale Sisto Riario Sforza, near the Duomo, Pio Monte della Misericordia and Via dei Tribunali.

Napoli Street Art StencilThis stencil baby is on an electrical panel is near the lineup to get into the Cappella San Severo.  The signature on the bum says Joan Aquito.

Blub Verdi, NapoliGiuseppe Verdi and a Renaissance woman covered by a shop door are the only Blub work I found on the street after visiting the Blub Pompeii inspired exhibit at the Museo Archeologico Nazionale Napoli.  I was disappointed not to find Totò, another iconic Napoletano.  For more Blub love, read Blub a Napoli and L’arte sa Nuotare.Renaissance woman by Blub

I hope you enjoyed this street art tour of Napoli Centro Storico! More Napoli information can be found in Un Giorno a Napoli. Banksy Madonna con la Pistola Napoli Ciao, Cristina

The Last Medici

18 Tuesday Feb 2020

Posted by in Art, Art history, Firenze

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Anna Maria Luisa De' Medici portrait by Jan Van DouvenAnna Maria Luisa de’ Medici, the last descendant of the Medici dynasty died on February 18, 1743.  Her family of bankers had ruled Firenze on and off for over 300 years, and amassed countless art treasures. Fortunately for us, Anna Maria Luisa was a woman ahead of her time.  Knowing her family was on the verge of extinction, she made sure her family’s legacy was protected.Actress playing Anna Maria Luisa de' Medici at Palazzo Pitti

The middle child of Cosimo III de’ Medici and Marguerite d’Orleans, she was born in 1667 and had 2 brothers, Ferdinando and Gian Gastone.  Anna Maria Luisa’s parents could not stand each other.  Her mother returned to France when Anna Maria Luisa was 8 years old and never returned.

In 1691, at the age of 24, Anna Maria Luisa was married by proxy to the widowed Elector Palatine, a prince of Bavaria.  Her marriage, although arranged, was happy and she lived a comfortable life as ‘Electress Palatine’ in Dusseldorf, where she was a patroness of the arts. Anna Maria Luisa and her husband did not have any children.  It was thought until recently that he had given her syphilis.

Ferdinando and Gian Gastone were both in disastrous marriages and neither lived with his wife. Cosimo was worried about them both being without an heir.  He even had his Cardinal brother released from religious life to marry, but 2 years later, he died without children.  When Ferdinando died in 1713, Cosimo changed Tuscan law to allow a female heir, passing Medici rule to Anna Maria Luisa after Gian Gastone. He lobbied the European leaders, but they refused to accept this.

When Anna Maria Luisa’s husband died in 1716, she returned to Firenze, moving into a wing of the Palazzo Pitti.  Cosimo III died in 1723, leaving Gian Gastone to be a terrible Grand Duke of Tuscany until his death in 1737.  Despite the fact that Cosimo wanted the House of Este from Modena take over, it was decided the debt-ridden Lorraine (Lorena) family of the Austrian Hapsburg dynasty would take over the government of Tuscany.  Anna Maria Luisa had no say in the decision.

On Gian Gastone’s death, Anna Maria Luisa inherited all of the Medici personal property.  Knowing the Medici line ended with her, she was determined that her family’s possessions would not be sold off piece by piece to pay off Austrian war debts.  Anna Maria Luisa had to find a solution quickly, before the vultures swooped in!Anna Maria Luisa de' Medici signing the Patto di Famiglia

On October 31, 1737, she signed a legal contract, the Patto di Famiglia (Family Pact) leaving all of the personal property of the Medici, including the Uffizi, Palazzo Pitti and Medici Villas to the city upon her death.  It stipulated that none of the collection could be sold or removed from Firenze.  More specifically, it stated that the Medici collections:

‘esse rimanessero per ornamento dello Stato, per utilità del Pubblico e per attirare la curiosità dei Forestieri’  / were to be left as ornaments of the State, for use of the public and to attract the curiosity of foreigners.

If she only knew! She was unknowingly providing for her city’s future economy.

Anna Maria Luisa spent the rest of her life doing charitable work, cataloguing the inventory of her family collection and overseeing the building of the Cappella dei Principi in San Lorenzo where she was later buried. The Patto di Famiglia became active on her death February 18, 1743. In 2012 her bones were exhumed due to concerns of damage from the 1966 flood.  (Note…I am not sure why this took 46 years??).  She died of a breast tumour and there was no evidence of syphilis.

Originally designed by Giorgio Vasari for Cosimo I in 1560, the Uffizi, former administrative offices (uffici means offices) of the Medici and the Archivo dello Stato was opened to the public 16 years after Anna Maria Luisa’s death.  The Uffizi Gallery now has 16 million visitors every year. Galleria degli Uffizi

In Firenze Anna Maria Luisa is known as ‘La Principessa Saggia’, the wise Princess.  She is also known and recognized for her big hair. The city of Firenze honours her each year on Oct 31st to celebrate the Patto di Famiglia with free admission to the Uffizi and on February 18th the anniversary of her death with free admission to civic museums. There is often an actress playing her at the Palazzo Pitti.  The art loving world is forever indebted to Anna Maria Luisa de’ Medici.Anna Maria Luisa de' Medici sculpture Palazzo Pitti

Photos:

Portrait of Elettrice Palatina Anna Maria Luisa de’ Medici by Jan Van Douven, Dusseldorf, Wikimedia

Photos of actress playing Anna Maria Luisa de’ Medici at Palazzo Pitti from Filistrucchi, the manufacturers of the big-ass parrucca (wig) she is wearing!

Photo of actress playing Anna Maria Luisa de’ Medici signing the Patto di Famiglia ilreporter website

Sculpture of Anna Maria Luisa de’ Medici by Ivo Barbaresi 1945.  Donated to Palazzo Pitti by Fiorenza Bartolozzi 2011.

Ciao, Cristina

Un Giorno a Napoli

06 Thursday Feb 2020

Posted by in Art, Italia, Travel

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Vespa Napoli Centro StoricoNapoli is one of the oldest continually inhabited urban areas in the world.  It was founded by Greek sailors from Rhodes in 680 BC.  They named her Parthenope after the siren who tried to lure Ulysses. In 474 BC it was renamed Neapolis, meaning ‘new city’ giving us the present name as well as the anglicized Naples.  After Roma and Milano,  Napoli is the 3rd largest city in Italia.

Napoli is an open air museum layered with 2800 years of history-from Ancient to Medieval, Renaissance and Baroque, with ruins, castles, historic buildings and monuments.  It was one of the wealthiest cities in Europe before Italian unification of 1860.  Allied bombing during WWII caused severe damage, resulting in extensive reconstruction after 1945. Napoli’s Centro Storico, the largest in Europe, still has the rectangular grid layout of the original Greek streets, called Decumani and has been a UNESCO World Heritage Site since 1995.Napoli

Napoli is underrated, misunderstood and does not get the love it deserves, except from fans of Elena Ferrante novels. News of corruption, the Camorra and ongoing garbage crises give it a bad rep. It it ironic that everyone-including many Italians fears for their life and thinks it is just a crime pit, when Napoli is actually safer than most large North American cities. It is vibrant, wonderfully chaotic, full of life and passionate, friendly people. Napoli has an ‘edge’ to it and is anything but boring! Via dei Tribunali Napoli

Not even 2 hours from Orsara di Puglia, I had only been to Napoli to take ferries or fly home.  2 years ago, I decided just days in advance to arrive by bus the day before my flight and stay 24 hours.  Best plan ever!  Last year I went for the day with my cugino who had an airport pickup, and took the bus home for €11.

I would not advise anyone to see Napoli in one day. 3-4 days is needed, not including daytrips to Pompeii, the Amalfi Coast, Capri or Ischia.  However, if you have only un giorno-one day to spare, because you are headed somewhere else or taking a daytrip, this is my suggested itinerary!

My first full day in Napoli was a last minute plan.  I had 4 ‘must see’ things on my list. They were all walking distance from Piazza Dante, so I booked a night at the wonderfully named ‘Il Paradiso di Dante’. If arriving at the Stazione in Piazza Garibaldi or the bus terminal behind it, all of the destinations are easily reached on foot or by Metro.  A day ticket for the Metro is €4.50. From Capodichino airport, the Alibus is a 15 min non-stop ride to Piazza Garibaldi for €5.

I realize few people will drool over ancient frescos or Caravaggio for as much time as I do, so I am adding a few extra sites along the way.  This itinerary can be done in reverse and/or in different order. Antico forno Attanasio sfogliatelle

The first stop on any visit to Napoli is for Sfogliatelle –crunchy layered pastry, filled with sweet ricotta, lemon and candied peel. Sfogliatelle in Napoli are delicious and inexpensive.  The best are served straight from the oven at Antico Forno Attanasio, Via Ferrovia 1-4 just a few blocks from Piazza Garibaldi.  At €1.30, why stop at just one?  The lineup moves quickly.  The sign above the oven says ‘Napule tre cose tene belle….o’ mare o’ vesuvio e sfogliatelle’ / Napoli has 3 beautiful things….the sea, Vesuvius and sfogliatelle.sfogliatella

Walk down Corso Umberto I to Via Duomo (or Metro to Museo if reversing).  Turn right on Via dei Tribunali a long narrow street packed with great stuff.  It is one of the original Greek Decumani. Napoli has elevated graffiti into an art form, so keep an eye out for cool street art.

Blub Verdi, NapoliFirst stop is the small octagonal church Pio Monte della Misericordia to see Caravaggio’s masterpiece 7 opere di Misericordia-7 Acts of Mercy hanging where it has been for over 400 years. Napoli has been a capital of the Baroque since the 1606 artistic revolution following the arrival of Caravaggio. Admission is €8.  Open daily from 9:00-18:00 except Sunday it closes at 14:30. Do not miss this and click the link to read my post!Pio Monte della Misericordia

Not even 100 m away is the Duomo Santa Maria Assunta built on the site of a temple of Neptune.  It was ruined in the 1456 earthquake and repeatedly renovated, resulting in a mishmash of styles and a Neogothic facade.  The church is often called San Gennaro- Napoli’s patron saint.  The Cappella di San Gennaro contains an ampule of his blood that is brought out on the 1st Saturday in May, September 19th and December 16th for the miracle of his blood liquefying.

Facciata Duomo di Napoli

Duomo di Napoli. Image Wikimedia Commons

The entrance to Napoli Sotterranea is close by on Via dei Tribunali.  Napoli’s stratified history is visible here…..40 m below street level are Greek structures, Roman aqueducts and cisterns, catacombs, a Bourbon royal escape tunnel and stuff left over from 1945 when the underground was an air raid shelter! The tour is 1.5 hours so I have never had enough time, but it sounds fascinating!

Presepio Via San Gregorio ArmenoAt Piazza San Gaetano turn left onto Via San Gregorio Armeno.  Napoli has a long presepio– Nativity Scene tradition. This street is full of artigiani– artisans making presepio pieces along with figurines of contemporary personalities.  I like to visit the bottega of Antonio Pepe.

Via San Gregorio Armeni Napoli, Antonio Pepe, www.unpodipepe.ca

‘Lavorazioni di Pastori e Scenografie Presepiati Antonio Pepe’, Via San Gregorio Armeno, Napoli (no relation!)

The end of this street intersects with the one parallel to Via dei Tribunali, another of the Decumani, called ‘Spaccanapoli’ meaning ‘cut across Napoli’ because it cuts the centro storico in half.  There may be time later to visit the Chiostro di Santa Chiara, cloisters with beautiful majolica tile work.

Back on Via dei Tribunali turn left at Piazza Luigi Miraglia to Via Francesco de Sanctis 19, the Cappella San Severo.  My Zia told me not to miss this! It is a Baroque chapel with strict security, admission limits and no photography allowed.  Lineups can be long, but I only waited 30 minutes.

The main attraction is Giuseppe Sammartino’s jaw dropping 1753 sculpture Cristo Vellato- Christ laying on a  mattress, covered in a sheer veil with a lace edge-all sculpted out of marble.  It is so lifelike, the urge to reach out and touch it is hard to resist.  The owner, Prince Raimondo di Sangro dabbled in alchemy.  Baroque urban legend is that he taught the artist how to calcify a veil with marble crystals…but it is actually sculpted. The small Chapel is filled with other magnificent works of art. Admission is €8 or online €10.  Open 9:00-18:00.  Closed Tuesdays! It may be better to see this first then walk back to Via S Gregorio Armeno.San Gregorio Armeno Napoli

When hunger strikes, there is plenty of cibo di strada-street food available on Via dei Tribunali and Spaccanapoli. Fritto misto –fried fish or vegetables in paper cones, pizze fritte and pizza al portafoglio are all delicious. Sfogliatelle and babà are €1! Pizza Margherita

Via dei Tribunali is also home to Gino Sorbillo pizza, which always has lineups. The line moves quickly, but with a shortage of time, try one of the less known places.  It is hard to find bad pizza in Napoli!Port'Alba Via dei Tribunali Napoli

Exit Via dei Tribunali through the Port’Alba to Piazza Dante on Via Toledo. From here, walk or take the Metro 1 stop to Museo.  Walking will take almost the same amount of time.  The Museo Archeologico Nazionale Napoli (MANN) is massive and has the world’s biggest collection of Greco Roman art and artifacts.  For archeology nerds like me, this is Heaven and it needs its own post.  The frescoes and artifacts from Pompeii and Ercolano/Herculaneum are here, and the massive Farnese collection sculptures such as Toro Farnese. Marble sculpture Toro Farnese in MANNapoliThe Gabbinetto Segreto is a secret room full of ancient erotica, mostly from Pompeii’s brothel.  Admission is €18 and well worth it.  Tickets can be bought online.  Open from 9:00-19:30- later than other places, but it is closed Tuesdays! Read more about MANN in Blub a Napoli.  The day can also start at MANN, doing the itinerary in reverse.Museo Archeologico Nazionale Napoli

Depending on how much time is spent walking, visiting all of the above and when you need to leave, there may be time for more.  Take the Metro 2 stops to the award winning Toledo station, walk to the end of Via Toledo to Piazza del Plebescito, one of the largest piazze in Italia.  Piazza del Plebescito NapoliOn Via Chiaia is Caffè Gambrinus the historic caffè letterario where European intellectuals including Oscar Wilde, Hemingway, D’Annunzio and Totò hung out.  Caffe Gambrinus NapoliMussolini shut it down for being antifascist.  That alone is reason to have another sfogliatella there-even take-out will cost more due to the location, but worth it.Caffe Gambrinus Napoli

If you somehow still have time left, walk to Galleria Umberto I, Teatro San Carlo Opera House or Via Santa Lucia by the harbour and Castel dell’Ovo. Need more sfogliatelle? Stop at Pintauro, Via Toledo 275.  Then take the Metro back to Piazza Garibaldi.

Napoli is great to visit any time of year! Remember that MANN and the Cappella San Severo are closed Tuesdays.   Busier times include December for the Presepi on display and the 3 San Gennaro dates. I have only been in July or August when a lot of Napoletani are at the beach.  There are less cars on the road-according to my taxi driver-named Gennaro of course!  He was so impressed that I was able to understand him!  We had many neighbours and friend from Napoli when I was growing up so I understand Napoletano quite well.Via San Gregorio Armeno

An old saying goes ‘Vedi Napoli e mori’. I hope you enjoyed un giorno a Napoli-I guarantee you will be back! Have an extra sfogliatella for me! Buon viaggio, Cristina

Stay tuned for my next post on Napoli street art!

Blub a Napoli

28 Wednesday Aug 2019

Posted by in Art, Italia, Photography

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Blub Il Volo di Dedalo e la caduta di Icaro fresco MANNA few weeks ago I took a daytrip to Napoli for sfogliatelle-but also to see the Blub exhibit at MANN (Museo Archeologico Nazionale di Napoli).  If you do not know about the street artist from Firenze, make sure to read my Blub post L’Arte sa Nuotare.  Blub (Bloob) takes famous works of art and gives them a new look, immersing them underwater, complete with blue background, snorkel masks and bollicine-bubbles.  Prints are organically glued to the metallic doors of gas and electrical panels, which provide ready-made frames.

To prepare for the exhibit, Napoli’s Centro Storico was ‘Blubified’ with 40 works plastered on sportelli-the doors of gas and electrical panels. A few are specific to Napoli, for example Totò and Re Carlo III Borbone (King Charles III).Blub, Re Carlo III Borbone a Napoli

In the exhibit, which only includes 5 new works, the project ‘L’Arte sa Nuotare’ (Art knows how to swim) is extended to Pompeii.  4 paintings on metal are inspired by affreschi (frescoes) from the ruins of Pompeii.  There is also the portrait of Carlo III and some sculptures have been adorned with masks and fins, as well as the tomb in the photo below.Museo Archeologico Nazionale Napoli Blub

The nymph is a detail from the fresco ‘Il Volo di Dedalo e la caduta di Icaro’(the flight of Dedalus and the fall of Icarus) from Villa Imperiale, Pompeii.  It is an acrylic painting on a metal door and I love how the rust has been incorporated. Detail from Il Volo di Dedalo e la caduta di Icaro Blub pompeii

Terentius Neo e la moglie (Terentius Neo and his wife) is a fresco from 55-79 AD found in 1868 in the house of baker Terentius Neo, which was also the bakery. The middle class couple is well-dressed, and he holds a scroll with seal, his wife a stylus and wax tablet to demonstrate that they are literate and cultured.  His wife is portrayed as an equal, in fact she seems to be standing in front of her husband.Blub Terentius Neo e la moglie

Here is the original fresco in MANN:Terentius Neo e la moglie Pompeii

Donna con tavolette cerate e stilo (Woman with wax tablets and pen) is a tondo, a round painting found in 1760 in the Insula Occidentalis house in Pompeii.  It depicts a wealthy woman with gold earrings and a gold hair net. She is holding a stylus and 4 wax tablets, to demonstrate learning and culture.  This  fresco is known as Sappho, although it is not a portrait of the poetess, in fact the stylus and wax tablets were more likely used for accounting than poetry. Blub again incorporates the rust on the metal door to add ‘age’ to the work.'Sappho' by Blub Napoli

The original fresco in MANN:Sappho MANN

My favourite Blub here is Maschera Teatrale di Donna (Woman’s theater mask) inspired by a fresco in Casa del braciale d’oro (House of the golden bracelet) in Pompeii. The work is under glass, so my photo has glare issues.  The tag says that this Blub work is an acrylic on metal door and is in a private collection in Hingham, Massachusetts, so I think that means Blub made a sale!

Maschera Teatrale subacqua, from L’Arte sa Nuotare Facebook page

Blub quote Napoli MANN exhibit

‘….water is my element.  Life is born from water, it is the hidden side of matter.  When you are immersed, time stops and becomes weightless, while thoughts flow freely in a suspended dimension…for this I propose personalities that have transmitted an example of greatness that survives still today, as if underwater, without time.’  Blub

Seeing all the affreschi from Pompeii in MANN really inspired me to get out my bucket of plaster and pigments.  Fresco painting is not a very ‘modern’ art form, but I have dabbled in it a bit and really love it.  Below is my detail of La Cappella Sistina. My next fresco painting might be one of Giotto’s angels. I’ll be looking for rusty metal doors to paint on! Let me know if you have any.Cappella Sistina Cristina Pepe

Blub hunting in the Centro Storico was not very productive.  We found a peek-a boo Blub….a Renaissance woman mostly covered by the propped open door of a store! Blub NapoliGiuseppe Verdi looks very distinguished among the graffiti.  I was disappointed to not find a Totò, but did find a Banksy and lots of other interesting street art-which I will leave for another post!Blub Verdi, Napoli

The exhibit in MANN ends in a few days.  I hope you enjoyed this virtual Blub tour and that all of you can some day view real life ‘Blubi’! Ciao, Cristina

*Photo credit-Both photos of Terentius Neo e la moglie and Blub’s Sappho taken by my cugino and Napoli travel partner Mark ‘Peperotti‘ Pepe

L’arte sa nuotare

08 Saturday Jun 2019

Posted by in Art, Firenze, Italia, Photography

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Putto Raffaello Firenze street art BlubL’arte sa Nuotare -art knows how to swim- is a project by Italian street artist Blub (Bloob).  Anyone who has been to Firenze in the last few years has likely seen Blub’s work plastered onto the city’s sportelli di gas e di luce- the metallic doors of gas and electrical panels. Blub street art FirenzeI was recently in Firenze with my nipotina Isabella. We were constantly on the lookout for ‘Blubi’ (BLOO•bee).  It was like a scavenger hunt! We even spotted a few in Lucca, but none in Siena.  Blub street art Firenze Dante l'arte sa nuotareNo one has met mysterious street artist Blub.  All we know about Blub is that he…..or she….. is from Firenze and is a talented artist with a fun, quirky sense of humour.Blub street artist Firenze, the Creation of AdamBlub’s series “L’arte sa Nuotare’ takes famous works of art and gives them a new look, immersing them underwater, complete with blue background, snorkel masks and bollicine-bubbles! Blub street art La Dolce Vita Shannon Milar L'arte sa nuotare

More recent works receiving the Blub treatment are contemporary icons such as the kiss from La Dolce Vita, Freddie Mercury and Amy Winehouse.  Blubi have a magnetic attraction to anyone passing by. Blub Modigliani street art Lucca l'arte sa nuotareThe works are not graffiti painted directly onto the precious, crumbling renaissance walls. Blub paints 1 original acrylic on canvas or metal, then makes posters in sizes to fit the sportelli and pastes them up with 100% plant based glue. Sportelli also provide ready made frames.Ragazza con l'orecchina di perla Blub street artist Firenze, Girl with a pearl earring

How did this series start?  According to a February 2019 interview (in Italiano) with Firenze Urban Lifestyle Magazine, Blub claims that for fun, the first ‘masked’ triad were Da Vinci works-La Gioconda (aka Mona Lisa), Dama con l’ermellino, and a self portrait of Leonardo.  One night, with the help and encouragement of friends, they were pasted up on sportelli in the San Niccolò area. Blub Leonardo Da Vinci Donna con l'ermellino Firenze street art

It was originally a way of remembering the flood of the Arno in 1966 and the saving of Firenze’s priceless artwork from the muddy water that ravaged the city.  That night ‘l’arte non affoga’ (art does not drown) became ‘l’arte sa nuotare’.

Firenze Duomo Blub street artAside from the reference to the 1966 flood, the series brings together the past and contemporary world, pays tribute to the personality of Firenze and is dedicated to those who find solutions in a sea of difficulty. The expression ‘sink or swim’ comes to mind.Van Gogh Blub street art l'arte sa nuotare

Water generates life and is a symbol of rebirth and purification.  Time stands still underwater, placing the immersed works that have left their mark and survive today in another dimension.  With this series of work, Blub is trying to incite curiosity rather than controversy.

Blub street art firenze L'arte sa nuotareBlub hunting will now also be possible in Napoli!  Blub has 6 new works on display at the Museo Archeologico Nazionale di Napoli until August 31!  Frescoes from Pompeii underwater!  I will definitely try to see this exhibit!  Update!  I did  make  it  to  Napoli.  Read  about  it  in  Blub  a Napoli. I hope you enjoyed this Blub photo exhibit! Have you had the pleasure of finding Blubi? If you like to view artwork al fresco and un po’ bagnato, happy Blub hunting!  More Blub images are available on instagram #lartesanuotare.

Ciao, Cristina

*La Dolce Vita photo taken by Shannon Milar in Lucca.  All other photos taken by me in Firenze, except the Amedeo Modigliani which was taken in Lucca.Putto Raffaello Blub street artist Firenze

 

Pio Monte della Misericordia

11 Monday Feb 2019

Posted by in Art, Art history, Italia

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Pio Monte della Misericordia (Pious mount of mercy) is a charitable organization founded in 1601 by seven young noblemen in Napoli.  Every Friday they met at the hospital to minister to the sick.  400 years later, the organization is still in operation, assisting minors at risk, those struggling with addiction, unaccompanied migrant minors, disadvantaged families, the homeless and the terminally ill.

In 1602, the founders commissioned a small octagonal church on Via dei Tribunali. They wanted artwork to express their sense of charitable mission, which was guided by le sette opere di misericordia, the seven corporal works of mercy.  These are a set of compassionate acts concerning the material needs of others, based on the bible passage ‘For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in. I needed clothes and you clothed me.  I was sick and you looked after me, I was in prison and you came to visit me’ Matthew 25:35:36.  Bury the dead was added later and comes from another scripture.

They hired, who else but Caravaggio to paint one of the seven works of mercy for the altar of each of 7 chapels. Caravaggio was either in a big rush or feeling like a challenge, because he incorporated all 7 onto 1 canvas!  The capolavoro is one of the most important of his works, and of the 17th Century.  It still hangs in its original position above the high central altar! Seven local Caravaggio followers, including Luca Giordano, Fabrizio Santafede and Battistello Caracciolo provided paintings for the chapels.Caravaggio Sette opere di misericordia Pio Monte della misericordia

The composition is realistic, complex and dramatic. At the top of the painting, 2 angels are supporting the Madonna di Misericordia and child in the air.  The bottom half features figures carrying out the acts of mercy.  On the right, from the myth Roman Charity, Pero secretly breastfeeds her father, Cimon, after he is imprisoned and sentenced to death by starvation. (feed the hungry and visit the imprisoned).  Behind the wall of the prison, 2 men carry a shrouded body with the feet dangling out of the blanket (bury the dead). On the left, St Martin de Tours comforts the injured beggar in the foreground (comfort the sick).  He tears his cloak and gives half to the naked beggar (clothe the naked). In the background, a pilgrim with a shell in his hat asks an innkeeper for shelter (shelter the traveler) and behind them, Samson drinks from the jawbone of a donkey (give drink to the thirsty). All of this action is taking place in a dark, mysterious vicolo, an alley that could be just around the corner. Caravaggio uses his signature strong contrasts of light and dark chiaroscuro, the bright light acting as a metaphor for mercy.

Caravaggio came to Napoli with a price on his head, on the run from a murder charge. He was idolized and successful in Napoli, but he was desperate for a pardon, so after only a year, he left Napoli for Malta where he thought the Knights of St John could help him. This may explain his decision to incorporate all of the works of mercy into one painting!  As discussed in this post, it has also been confirmed that he had lead poisoning.  Caravaggio understood Napoli like no other painter and had a profound influence on the artistic scene in the city for the next few centuries.  He left behind a lot of followers-the Caravaggesque movement.

The €7 admission includes a visit to the Quadreria- Art Gallery, which contains 15th-18th Century paintings by Napoletani artists and also the original receipt for 400 ducats paid to Caravaggio.  Via dei Tribunali 253, Napoli. Open Mon-Sat 09-18, Sunday 09-14:30Pio Monte della Misericordia

Images:  Scan of Le Sette Opere di Misericordia taken from the Pio Monte della Misericordia brochure.  Photo of me with the painting taken by another visitor to the church.  He said I looked so excited he had to take my photo!

Caffè con Caravaggio a Roma

09 Tuesday Oct 2018

Posted by in Art, Art history, Italia, Roma, Travel tips

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Caravaggio spent 14 years in Roma, and lucky for us, he left behind a lot of work. There are 23 capolavori-masterpieces by Caravaggio at 9 different sites in Roma, including 6 works that can be viewed for free! Si!  Free, gratis, senza pagamento. These 6 paintings are not in museums, they are still in the 3 churches they were originally painted for and have been hanging for over 400 years.  No entrance fee, no reservations or pre booking required, and usually no lineups!  The best thing about seeing artwork ‘in situ’-where it was created to be viewed- is that you can walk in and see the work where it was meant to go, just like someone in the 17th Century did.

It is possible to do a walking tour, visiting all 3 churches in a few hours.  As a bonus, along the way, this walking tour also makes 2 or 3 caffè stops.  If you missed my last post on the life of Caravaggio, read it here.

***Important Note before we start– the 3 churches on this wonderful passeggiata are primarily places of worship, so please be respectful.  Dress appropriately, speak quietly-if the artwork does not render you speechless, and avoid Mass times, especially on Sundays.  It may not be possible to visit during Mass.  There is no charge to visit the churches, but I always like to light a candle when I visit (€.50-€1).  You can also put €1 in a box to turn on the brighter lights if you need them to take a photo.

Andiamo!  Our passeggiata starts at Piazza della Rotonda, in front of the Pantheon.  It can also start at Piazza Navona, but I never miss the opportunity to visit the magnificent  Pantheon especially while there is still no entry fee.

Tazza d’Oro, Via degli Orfani 84

Facing away from the Pantheon, cross the street diagonally to the right and arrive at Tazza d’Oro, Via degli Orfani 84, known for their bitter roast caffè.  I seriously recommend ordering the granita di caffè!

Next, a short walk to the Baroque church of San Luigi dei Francesi, the national church of France in Roma.  San Luigi is open 0930-1245 and 1430-1830 daily, except Sunday the morning hours are 1130-1245.  Walk to the front of the church and on the left side is the Cappella Contarelli-Contarelli Chapel. Here you will find Caravaggio’s 3 paintings on the life of San Matteo-called the St Matthew Cycle in english. When 2 of the works were installed in 1600, they made Caravaggio an instant success. Roma had not seen painting with such intense realism and drama before.

The dark and mysterious Martyrdom of St Matthew is on one side of the altar.  I say mysterious because it is not clear who the murderer is.  Is it the slave offering his hand, the man fallen on the ground, or the shadowy figure lurking in the background with the face of Caravaggio?  Hmmm.  The Calling of St Matthew is on the other side, and originally a sculpture by another artist was to go above the altar in between them.  Since all other work seemed inferior between these 2 masterpieces, an altarpiece was commissioned from Caravaggio in 1602. This painting, San Matteo con l’angelo-St Matthew and the angel, is a ‘redo’.  The first version was rejected as it portrayed San Matteo as an old peasant with the angel moving his hand, as if he could not write.  The painting was destroyed in Berlin during WWII, and only black and white photos of it remain.

My favourite of the series is on the other side of the altar, The Calling of St Matthew.  This painting has the best ever use of shadow and light in a work of art.  A group of men are counting money in a dingy tavern room.  A brilliant beam of light coming from an unseen window symbolizes the light of God.  The shape of the shadow is in line with the finger of Jesus, pointing at Matthew the tax collector.  He is the one who has a ‘huh, who me?’ look on his face while he points at himself.  The pointing finger may be a reference to that other Michelangelo, looking like the iconic finger of God in the Sistine Chapel Creation of Adam. I always leave San Luigi in an overwhelmed but contented state of ‘Wow’.

Leaving San Luigi we go left and walk ~200m turning left at the brown sign for Sant’Agostino.  This was the first Renaissance church in Roma at Piazza Sant’Agostino, close to Piazza Navona.  It is open 7:45-12 and 16:30-19:30.  Here you will also find works by Raphael, Guercino and Andrea Sansovino.  In the Cappella Cavalletti, the first chapel on the left, is Caravaggio’s magnificent Madonna dei Pellegrini-Madonna of the Pilgrims (1605), sometimes called the Madonna di Loreto.

The Madonna is usually portrayed dressed in fine fabrics, seated and surrounded by cherubs and clouds.  In this painting, she is a beautiful but ordinary woman answering the door of an ordinary house in bare feet and holding a rather large baby Gesù.  The kneeling pilgrims have dirty feet.  If the Madonna looks familiar, she is the same model from the Madonna dei Palafrenieri (1606) discussed in my Galleria Borghese post. She is thought to be Maddalena ‘Lena’ Antognetti, a well-known prostitute, and possibly Caravaggio’s lover at the time.  These details were all quite scandalous at the time.  I was mesmerized by the beauty of this painting.  My Roman friend recently came with me to Sant’Agostino and I found out this is his favourite painting.  To quote  his comment  …..‘Questo è il collo più sensuale nella storia dell’arte‘-‘This is the most sensuous neck in the history of art’!

Our next stop is Caffè Sant’Eustachio a few blocks away in Piazza Sant’Eustachio 82. Operating since 1938, their caffè is pre-zuccherato.  They whip in a spoonful of sugar while making the caffè and it always tastes perfect.  A sign states that if you do not want sugar added, let them know in advance!  My favourite beverage is un marrone-usually called un marrocchino everywhere else. Every bar in Italia makes un marrocchino differently, but it is always delicious. Sant’Eustachio ties with the Aeroporto Capodichino, Napoli for the best!

The last church on this Caravaggio passeggiata is a father walk.  There are 3 streets leading to Piazza del Popolo, but I usually get back onto Via del Corso, the long shopping street that leads straight there.

If you are not yet sufficiently caffeinated, turn right on Via dei Condotti, Roma’s most expensive shopping street and, before reaching Piazza di Spagna, stop at #86, Antico Caffè Greco. Roma’s oldest and Italia’s second oldest coffee bar, it has been around and frequented by literary types since 1760. Byron, Keats, Stendahl and Goethe are among those who have enjoyed caffè here.  In my photo below, Caffè Greco is on the left, approximately below the flag.  Caffè Greco is in danger of closing due to the exhorbitant rents on Via dei Condotti!

Piazza del Popolo can be reached by Via del Babuino, Via del Corso or Via di Ripetta. Santa Maria del Popolo, Piazza del Popolo 12, was designed by Bernini and is in the north-east corner of the piazza.  It is open 0930-1230 and 1630-1900, except for Saturday when it is open 0730-1900.  At the front, left side of the church is the Cappella Cerasi-Cerasi Chapel where we find the last 2 Caravaggio works on our passeggiata.  Both painted in 1601, on the left is The Crucifixion of St Peter and on the right The Conversion of St Paul on the way to Damascus.  The work above the altar between them is by Annibale Caracci.  Both paintings have dark backgrounds with awe-inspiring light and colour on the figures, which take up the whole canvas.  In the Crucifixion, you can feel the pull and weight of gravity even pushing out past the borders of the canvas.

The second painting captures the moment from the Acts of the Apostles when Saul-whose job was to persecute Christians, heard the voice of God and was blinded by the light, falling from his horse.  In case the name is confusing, he later slightly changed his name and became the apostle Paul.  This painting was often criticized for the ‘horse’s ass’ taking up so much of the picture plane.

This is the end of the Caffè con Caravaggio for free walking tour.  Scusi for the poor quality map!  I will replace it as soon as I figure out how to imbed one.If you want to see more Caravaggio works—no problem!  This passeggiata can be extended from both ends!  From Piazza del Popolo, Galleria Borghese room VIII has 6 Caravaggio works and is an uphill walk or short bus ride away.  Unfortunately it is not free, and reservations must be booked in advance. Read about the booking process here. Galleria Borghese can be visited either before or after this walk-my recommendation is before. In the photo below, Santa Maria del Popolo is to the left of the gate, under renovation.  Via del Corso is straight ahead, and past the gate is the walk to Galleria Borghese.

Piazza del Popolo

Walking back down Via del Corso, just before Piazza Venezia, stop at #305, Galleria Doria Pamphilj. Here you can see 2 Caravaggio works, including his only landscape painting Riposo durante la fuga in Egitto -Rest on the flight to Egypt (1597). Galleria Doria Pamphilj also has an entry fee of €12 but does not require a reservation. Galleria Borghese, followed by the free Caffè con Caravaggio tour, then the Galleria Pamphilj will take up most of a day and leave you in a wonderfully warm and fuzzy ‘Caravaggio coma’! I hope you all have the opportunity to take this passeggiata some day.

Ciao e buon viaggio, Cristina