Lecce

25 Friday Sep 2020

Posted by Un po' di pepe in Architecture, Italia, Photography, Travel

Tags

Barocco Leccese, Baroque art, Negroamaro, Puglia, Salento, Southern Italy, UNESCO World Heritage Sites

Lecce reminds me of a Caravaggio painting-Baroque, dramatic and opulent, with attention to detail. It is unfortunate he did not live long enough to visit the city! Lecce, in the Salento area of Southern Puglia is over 2000 years old and rich in tradition and local customs. Originally called Syvar, it was founded by the Mesapii(Mesapians) from Crete. There is a long history of Greek settlement here, in fact there is still a group of 9 towns called ‘Grecia Salentino’ where ‘Griko’ dialetto is spoken.

Conquered by the Romans in the 3^rd Century BC, it was renamed Lupiae. Hadrian moved the city 3 Km northeast in the 2^nd Century AD and called it Licea. Then came the Byzantines in 549, followed by Orthodox monks. Lecce and the Salento were an independent country from 1043 until 1463 when Emperor Carlo V conquered Puglia, and they became part of the Kingdom of Napoli until Italian unification in 1861. Lecce was an important commercial city, with a building and cultural boom.

Lecce is best known for its dramatic Baroque architecture and ornamentation, which even has its own name-Barocco Leccese. The style was around from the mid 1500’s to the early 1700’s, so even among buildings constructed at different times there is continuity of style.

The Baroque style features over the top details and intricate carvings that create a sense of movement. Barocco Leccese is even more expressive and unique. Windows, balconies and loggias are elaborately ornamented with twisting columns, scrolls and cornices. They are carved with human figures, animals, wreaths, vines and gargoyles. There is also a lot of marble, gilt and bronze involved. Corbels supporting balconies are a common decorative element in Lecce.

‘Salento and the Barocco Leccese, including Lecce, Nardò, Gallipoli, Martina Franca, Ostuni, Francavilla, Galatina and Galatone’ are on the UNESCO World Heritage tentative list since 2006. This is the step before becoming a World Heritage Site.

Lecce’s buildings are made of Pietra Leccese, a local, honey coloured porous limestone. It is soft and workable for sculpture, and was hardened and weatherproofed by soaking in a liquid solution made with whole milk. Pietra Leccese is still one of the area’s main exports, mined in open quarries.

What to see in Lecce:

The Centro Storico of Lecce, with its narrow stone streets, 22 churches and unique architecture is a historically preserved walking museum. It is mostly pedestrian only and very walkable. After dark the streets are lined with outdoor seating for vino and aperitivo, and everyone is out for passeggiata.

Lecce’s defensive walls are gone, but 3 gates remain: Porta Rudiae, Porta San Biagio and Porta Napoli, which marked the starting point of the road to Napoli.

The 2 main piazze are Piazza Duomo and Piazza Sant’Oronzo, which are connected by Corso Vittorio Emanuele. Piazza Duomo is a large open space, but you can almost walk by and miss it! There is only one entrance, and it is closed off on 3 sides. The Duomo is unique as it has 2 facades. This was done so that visitors to the piazza did not have to face a big blank side wall as they entered. The Campanile is the tallest in Italia at 68 m. Piazza Duomo also contains the Palazzo Vescovile and Seminario, which is used mainly for exhibitions.

Piazza Sant’Oronzo, named for the first Christian bishop and the patron saint of Lecce, was the site of the mercato. The 2^nd Century AD Roman anfiteatro was discovered in 1901 during construction of a new Banca d’Italia. The 20,000 seat arena was originally built outside of the walls of Lecce and was still in use in the 12^thCentury. More than half of it has not been excavated!

Looking down over the anfiteatro is Il Sedile, a 1590 Gothic structure which was the seat of the town hall. It is now the Tourist information office.

The Colonna di S Oronzo, is a column topped with a bronze statue of Sant’Oronzo. It was originally built in 110 AD-one of a pair of Turkish marble columns marking the end of the Via Appia from Roma to Brindisi. This one toppled and broke in 1528 and its twin is still standing in Brindisi. In 1659, the broken remains were given to Lecce to thank Sant’Oronzo for saving Brindisi from the 1656 plague. The Brindisini have wanted it back ever since!

Not far from the piazza is Museo Faggiano- a unique museum, especially for archeology nerds like me! Plumbing issues result in DIY renovations that uncover layers of history…..Blog post coming!

Santa Croce’s façade is the masterpiece of Barocco Leccese. It took 200 years to build. The exterior was recently cleaned and renovated. The interior has a gilded coffered ceiling and 14 chapels with carved, twisting columns.

Sant’Irene is dedicated to the ancient protector of the city 1591-1639. The interior is simple, but has twin Baroque side altars. My amazing balcony at Palazzo Belli B&B looked out onto the side entrance.

Santa Chiara built in 1687 has an unusual façade and an extravagant interior with a wooden ceiling. There are loads of other beautiful churches to see in Lecce, but i have only mentioned the main ones.

Sometimes the scenery looks like an old movie set! Walk down Via Palmieri, lined with grand palazzi, ending at Porta Napoli.

Things I did not have time to see include the Castello Carlo V and its carta pesta (papier maché) museum, the Teatro Romano and the Museo Provinciale.

Lecce is a great place to shop. Specialties include colourful Pugliese ceramics, carta pesta, olive oil and vino. Lecce observes the pausa pranzo which means shops are closed from 2-5pm.

Make sure to try pasticciotto. My favourite is the kind with crema and amarena. Yum! Sit outside to have Caffè Leccese –espresso on ice with almond milk and of course local vino, especially my favourite-Negroamaro. Here is my cena with Negroamaro rosé.

Since the centro storico is car free, dealing with a car in Lecce can be a pain. During high season, it is easier to get around by bus or local train. During low season, a car will make it easier to visit places that are not on the main train line. Lecce is between 2 seas, the Adriatic is 11km away and the Ionian 23 km away.

Lecce (pop. 96,000) is on the Adriatico train route that starts in Bologna. The Stazione is a flat walk, 1 km south of the Centro Storico. Last year, I took the train from Foggia (3 hours) staying 3 days in Lecce and 1 in Nardò. It was late July/early August, and not crowded at all. I booked my train and accomodation 3 days in advance. Try to avoid making Lecce a daytrip, as you will miss the beautiful evenings and fun nightlife. I am looking forward to going back as soon as possible!

Buon viaggio, Cristina

Limoncello

07 Friday Aug 2020

Posted by Un po' di pepe in Italia, Photography, Recipes

≈ 21 Comments

Tags

Campania, Homemade liqueur, Limoncello, Southern Italy

Quando la vita ti da limoni…fai il limoncello! When life gives you lemons…make limoncello! This is a good motto for life at the moment. What else does a global pandemic have to do with limoncello? I usually make homemade limoncello or other infused liqueurs with vodka, as grain alcohol is not available here. With the hand sanitizer shortage a few months ago, my fratello was able to order 151 proof (71%) Everclear grain alcohol to make his own. Hand sanitizer is available again and he had an extra bottle, so I used it to make limoncello. It is not the 191 proof (90%) alcohol that liqueurs are usually made with-but better than using vodka.

Limoncello (lee·mohn·CHEL·loh) is an Italian liqueur, made mostly in Southern Italy and especially in the Amalfi/Sorrento area where the limoni are large and fragrant. It is usually served chilled as an after dinner digestivo. I use it to make many of my desserts too!

To make limoncello, you need 1L (4 cups) of grain alcohol and 8-10 organic lemons. Limoncello is made only with the scorza, or lemon peel, so the lemons must be untreated. I used the juice to make limonata.

Peel lemons with a vegetable or potato peeler, taking only the peel, not the pith (the white stuff). If a bit of pith snuck in there, scrape it off with a knife

Place the lemon peels in a large airtight glass jar. I used an old 2L jar that used to hold artichokes, rinsing it out with vinegar and soap to remove any smell.

Cover lemon peels with alcohol and leave the jar to steep in a dark cool place for 2 weeks or more. A cantina is ideal if you have one. Give the jar a good shake every few days. When the peels are very pale, almost white, it is done. The liquid will be a gorgeous golden colour.

Mix 750 ml-1L (3-4 cups) water with 500 ml (2 cups) sugar in a saucepan. For sweeter limoncello, add more sugar-up to double the amount. Simmer over medium heat until the sugar is dissolved, then let the syrup cool.

Strain lemon peels from the alcohol and add cooled syrup. It will be a cloudy yellow once the lemon essential oils and water mix together. If using vodka instead of grain alcohol, use less syrup. Shake the jar and leave it in the cantina or a cold, dark place for 1-2 weeks. Then ladle into small bottles with pop-tops or secure tops and leave for 1 more week to intensify the lemon flavour.

Il limoncello è pronto. Salute!

Posts with recipes using limoncello:

Limoncello Cheesecake

Limoncello Ricotta Cookies

Olive oil Limoncello Cake

Ciao, Cristina

Lucca

15 Monday Jun 2020

Posted by Un po' di pepe in Italia, Photography, Travel

≈ 30 Comments

Tags

Daytrips from Firenze, Daytrips from Siena, Italian history, Lucca, Torre Guinigi, Toscana, UNESCO World Heritage Sites

Lucca is one of my favourite smaller cities in Italia. While writing my last post, I realized that I have not yet dedicated a whole post to Lucca! Founded by the Etruscans as Luk, meaning marsh, Lucca became a Roman colony in 180 BC. In the 12^th-13^th centuries, the silk trade and banking were responsible for economic development and population increase. Lucca was an independent republic for 500 years, until Italian unification. Today the population is 88,000 and Lucca has been a UNESCO World Heritage Site since 2006.

Lucca does not have 1 or 2 monumental sites-the city itself is the attraction! Lucca is best known for the well preserved, intact Renaissance walls encircling it. The complex defense network is still mostly intact, 12 m high and 30 m wide, with 6 porte – entrance gates and 10 ramparts. The only thing missing is the moat, which was filled in the 1800’s.

On top of the walls is Via delle Mura Urbane, a wide 4.2 km tree lined pathway that is popular for walking, cycling and running. When entering Lucca, the 16^th C walls from can be seen from below. Bike rentals are available near most of the entry gates.

Lucca has a real ‘lived in’ feel to it. Walking through one of the gate tunnels is like stepping back in time. Lucca is flat, with a random street layout. Most of the centro storico is pedestrian only and full of biciclette to photograph. The streets are narrow and flanked by tall, narrow buildings. The many towers and other landmarks are often not visible from below, so it is easy and fun to get lost among the historic architecture and cobblestone streets. Lucca

The main street, Via Fillungo has beautiful storefronts and buildings. It connects Piazza Anfiteatro and Piazza San Michele. Piazza Anfiteatro’s oval shape is the ‘ghost’ of the 10,000 seat Roman amphitheater that once stood there. Entrance to the piazza is through brick tunnels.The stones were looted to build other structures, but the tall buildings in shades of yellow and cream with green shutters were built following the shape of the former amphitheater.

As in San Gimignano, defense towers were a status symbol for Lucca’s wealthy families in the 1300’s. Lucca’s skyline has several towers, the most famous being the 45 m Romanesque Gothic red brick Torre Guinigi. Built in 1384 by the Guinigi family of silk merchants, the tower is 45 m tall with 7 Holm Oak trees growing on top, symbolizing rebirth. The rooftop was originally used for dining, with the kitchen on the floor below. Imagine carrying dishes the 232 steps to the top! Admission is €5 single/ €8 family. A 2 day combination ticket can also be purchased that includes Torre delle Ore and Orto Botanico

At 50m Torre delle Ore is the tallest tower in Lucca. It started as a personal defensive tower, and when defense was no longer needed, it was turned into a clock in 1390. The present clock mechanism is from the 1700’s. It even has its own resident ghost legend-in 1623, a Lucchese woman who had sold her soul to the devil ran up to the top to try to stop time, but she didn’t make it. Climb the top to see rooftop Lucca and the best views of Torre Guinigi. In the photo below you can see Torre delle Ore and the campanile of San Martino.

Lucca has over 70 churches. The Gothic/Pisan Romanesque church of San Martino was started in 1070. It has a mismatched 14^th C campanile-the top is white like the church, but the lower half is red quartz stone. The church façade has 3 levels of open arches and each of the 37 columns are different. There was a contest for the design of the columns and each artist submitted one. Instead of awarding a winner, all of the columns were used without paying the artists. Che furbi! San Martino is home to the famous relic, a cedar crucifix known as il Volto Santo di Lucca (the holy face) and works of art by Jacopo della Quercia, Ghirlandaio and Tintoretto.

Like much of Lucca, the church of San Michele in Foro was built on a much earlier structure. Piazza San Michele was formerly the Roman Forum. The façade has 4 rows of ornate arches and columns, similar to San Martino. I do not think artists contributed these columns for free! San Michele has works by Tuscan superstars Luca della Robbia and Filippino Lippi.

The oldest church in Lucca, 6th C San Frediano has a beautiful golden mosaic façade.

Lucca is the birthplace of Giacomo Puccini, and the house where he was born is now Museo Puccini. Admission is €7. If you are in Lucca in the evening, it is common to hear music coming from churches, piazze and the opera house Teatro del Giglio.

Lucca is beautiful to visit any time of the year……except for the first week of November! Unless you are attending, avoid visiting during Lucca Comics and Games. Lucca is NW of Firenze, closer to Pisa. The train station is right across the street from Porta San Pietro, one of the entry gates, making Lucca an easy day trip -90min from Firenze and 30 min from Pisa. Lucca really deserves a few days of its own though, and also makes a great base to see the rest of Toscana.

The photos in this post were taken on 4 separate visits over a 15 year period, which explains the dramatic weather fluctuations!

Lucca is also mentioned in the posts Viaggio con Isabella and Autunno in Italia

Photos of San Martino and San Frediano from wikimedia commons.

Buon viaggio, Cristina

Viaggio con Isabella

20 Wednesday May 2020

Posted by Un po' di pepe in Amici e Famiglia, Firenze, Italia, Photography, Travel

≈ 29 Comments

Tags

Firenze, Galleria degli Uffizi, Italy travel tips, Lucca, Milano, Monteriggioni, Oltrarno, Torre di Giotto, Vernazza, Viaggi in pultrona

One year ago I was just returning from Italia with my nipotina Isabella. Since we are not able to travel in real life, viaggiamo in pultrona, let’s armchair travel and revisit our trip.

A bit of backstory…when Isabella was about 8 years old, she saw a photo of me on the Ponte Vecchio and asked ‘Zia, where is this?’. I replied ‘Firenze’ and she asked if we could go there together one day. I was thrilled at the opportunity to share my love of Firenze with her, so of course I said ‘Si! We can go when you graduate’. We were delayed a few years due to scheduling issues, but last year in between Isabella finishing her university classes and starting a summer job, we managed to squeeze in a 2 week trip!

We flew to Firenze, where we rented a studio apartment in the Oltrarno for a week. It was in a renovated stone tower a short walk from the Ponte Vecchio and down a narrow alley from Piazza della Passera.

Chef Peppe Zullo, our amico from Orsara, was in town our first day. We met him at the Mercato Centrale where he and his son Michele had recently taken over a restaurant upstairs called Tosca.

We had prebooked only 1 museum-the Uffizi of course, for the Saturday so that Gaetano, our cugino in med school could join us. New Caravaggio rooms have opened since my last visit! I noticed many portraits of Anna Maria Luisa de Medici on display. We have her to thank for all of this! Isabella loved the Uffizi, not just for the artwork, also the building itself, so Gaetano suggested she visit Palazzo Pitti another day.

I am ‘vertically challenged’, which may be why I like to climb to the top of things, especially if there is a view involved. We climbed almost everything in Firenze, starting with a walk to Piazzale Michelangelo via Porta San Niccolò for views of the city, then continuing up to San Miniato al Monte. We climbed the dizzying narrow stairs to the top of Brunelleschi’s Duomo to see the views and the Torre Giotto. Another day we climbed the Torre Giotto and saw the Duomo! These climbs were vital to working off gelato! For more photos taken from above see Viste di Firenze.

We also enjoyed the view, modern art and caffè from la terrazza degli Uffizi. This is the title of one of my monotypes, so I had to throw that in there! The Aperol Spritz from the roof bar of La Rinascente in Piazza della Repubblica was the best I have had. With her new headband and puffy sleeves, Isabella looked like a Renaissance principessa enjoying a spritz!

We were on constant lookout for street art by Blub-even Gaetano when he was with us. The results of our Blub hunt are in the post L’arte sa Nuotare.

Isabella loves caffè. She started ordering caffè lungo because both times she ordered un americano, they repeated ‘American coffee’ and tried to serve her drip coffee! Mannaggia! What has the world come to! Caffe a Firenze We had caffè at a different place every morning, including Caffè degli Artigiani in Piazza della Passera, Bar d’ Angolo in Porta Romana, one of my old favourites I Dolci di Patrizio Cosi, and one place way too close to Ponte Vecchio. They were all wonderful! Isabella kept track of the cost of a cornetto and 2 caffè lunghi…..as expected, she found the price decreased and the quality increased the farther out we went! Valuable life lessons!

We joined 5 others on a lovely daytrip from San Gimignano to Siena with Piero of Bike Florence and Tuscany. The weather was ominous, either sprinkling or threatening to rain all day. Monteriggioni was a stop for wine tasting and we cycled parts of the Via Francigena. In Siena we had a few hours to explore the city and have Panforte.

The weather was not very warm for May. I think this is the first time I have ever packed a small umbrella, but glad I did! We had to dress in layers, or ‘a la cipolla’ as they say in italiano. Some evenings in Firenze, it seemed like we were wearing ALL of the clothes in our valigia! Despite this, we walked everywhere.

Here is our map –YES- a map-of where we walked. Maps of the city centre are great for getting oriented. It is much easier than trying to look at a GPS on a tiny phone screen. We did not have time to take the bus to Fiesole or get to L’Accademia to see Michelangelo’s David or attend Mass at Santa Croce. Isabella will definitely need to get back to Firenze. While shopping, she did receive many compliments every day on her Italiano, even bartering down the price of a cute leather jacket!Lucca was our next stop, 1.5 hours away by train. Lucca is one of my favourite places in Italia! We stayed at a small B&B near Torre Guinigi. The owners found out we lived in Vancouver and told us about their nipote in Vancouver who is Isabella’s age. I started to say that Vancouver was a big city…… when Isabella said ‘Uh….Zia….I actually do know him…. Che mondo piccolo! After that, every time they saw Isabella, with no subtlety at all, they went on about what a nice boy he was!

Lucca is known for its intact medieval walls. We rented biciclette to ride the path on top of the walls. The forecast was for good weather. We had done 4 laps of the tree lined 4 km route, when unexpectedly a torrential downpour started. It rained so hard we could barely see.

We tried to get off the path, but visibility was so bad we could not tell which gate and ‘onramp’ we had taken to get up to the wall. This was important because we had to return the bikes where we rented them. Isabella wore her new jacket, and rather than get it ruined in the rain, she had folded it up inside out in a plastic bag in the cestino -the basket- leaving her in short sleeves. Brrrr!

By the time we got to Piazza Anfiteatro to warm up and wait for the rain to stop, we looked like wet rats. The restaurants are outdoor, so they had large heaters, and even blankets. A friend was coming from Viareggio for aperitivo later, but she had to cancel due to the weather. Even in the rain, Lucca is spectacular. It is also a great place to shop! I never spend enough time in Lucca.

Our next stop was La Spezia via Pisa and on to Vernazza, our home base in the Cinque Terre. I wrote about our time there in 2 posts- Le Cinque Terre and Exploring le Cinque Terre. The second post is specifically about our adventures. The weather was beautiful, which is good, as there are no indoor activities there! Hiking all day with a 19 year old is hard work, so luckily there was wine tasting in the evening!The morning we left Vernazza was raining almost as much as on the walls of Lucca! Isabella had been to Roma several times, but not to Milano, so we booked to fly home from there. We met our cugina Federica, who we stayed with, and went to the Navigli area to have dinner with more cugini. Our visit was too short. We spent the next day walking and window shopping around the Cento Storico and had a few ‘streetside reunions’ and phone calls with more cugini and a friend. I have been to Milano many times but have yet to see L’Ultima Cenacola, Da Vinci’s Last Supper. Even 2 weeks in advance, I was not able to book admission. Another reason to return!We hope you have enjoyed this piccolo viaggio virtuale with us! Hopefully we can travel again soon. Ciao, Cristina & Isabella

Cinquecento Love

04 Monday May 2020

Posted by Un po' di pepe in Italia, Italian life, Photography

≈ 24 Comments

Tags

#findmyfiat, Accenti magazine, Cinquecento, Fiat 126, Fiat 500, Fiat 500 Giardiniera, Fiat Cinquecento

Cinquecento Love: My lifelong obsession with the FIAT 500 is my article/photo essay in a special print edition of Accenti Magazine. With the COVID Pandemic, we do not know when the issue will be printed. The article is now available online at the link posted below.

Accenti, The Canadian Magazine with an Italian Accent was launched in November 2002. Thirty-one issues were published in print. Since January 2015, Accenti is published online-only. Accenti also publishes a newsletter, which is emailed to subscribers.

Cinquecento Love: My lifelong obsession with the FIAT 500

‘Nothing says Italian style like a Fiat 500 (pronounced cheen·kweh·CHEN·toh). My love affair with the 500 began when I was 16. I really wanted one, but it would not fit into my suitcase. So I had to go home without one. I don’t know if I will ever own a super cute, chubby 500, but I have spent years photographing them all over Italy. Every time I see one, I just want to give it a hug!’ …….read the rest of the article at Accenti online. You can also order a print copy of the magazine-orders outside of Canada just need to pay for shipping.

I hope you all share my Cinquecento love! Ciao, Cristina

Corzetti

17 Friday Apr 2020

Posted by Un po' di pepe in Mangiamo!, Photography, Recipes

≈ 31 Comments

Tags

Cinque Terre, Corzetti, Corzetti with mushroom and walnut sauce, Italian cooking, Liguria, Pasta, Pasta fatta a mano, Pesto Genovese, Printmaking

Corzetti (cor∙ZET∙ti) are a traditional pasta of Liguria, also called croxetti (cro∙shet∙ti) or crosetti in Ligurian. Corzetti are an embossed pasta shaped to look like gold coins. The name comes from ‘crux’, latin for cross. They have been around for a very long time. We know this because the Republic of Genoa had a medieval coin with a Genovese cross and there is a 1362 literary reference to pasta with crossetti served at a banquet.

Corzetti are made with un stampo per corzetti- a corzetti stamp. This is a 2 part device made of unfinished wood-usually pear wood. The textured finish of the wood is functional-it transfers to the pasta and helps hold sauce, as does the embossed design. The bottom of the lower half is used to cut the circles. The top of the lower piece and the upper piece with the handle for pressing each have a carved design.

Corzetti are like edible woodcut prints! The perfect pasta for a printmaker. This must be why I like making them so much!
If you read the posts Le Cinque Terre and Exploring le Cinque Terre, you may remember my determined quest to find a corzetti stamp. In Corniglia, I found dried corzetti for sale, but no stamp. I did not notice any restaurants serving them either, but I also did not look very hard. I finally found a stamp by accident in a tiny shop in Vernazza, the town where we were staying. They were in a basket at the back, where no one could see them!

The design on my stamp is a stem of wheat, with a swirl on the other side. It cost 11 Euro and was carved by a local fisherman. I saw a similar one online for $72 US. You can also custom order stamps but they can be very expensive. It is much more fun to buy something like this where it is produced.

Noble Ligurian families had their family coat of arms engraved on the stamps. Designs also include crosses, wheat, gigli (fleur de Lis) or the emblem of il pastaio, the pastamaker.

Circles are cut on a freshly rolled sfoglia or pasta sheet-not too thick, but thick enough to hold the embossing. Each corzetto is pressed between the 2 parts of the stamp, embossing a design on each side. If the pasta is rolled out too thin, the designs will transfer to the other side.

Corzetti dough is traditionally made with eggs and white wine. It is usually made with flour and semola rimacinata di grano duro (called semolina in North America) or chestnut flour. Traditionally, corzetti are served with pesto or olive oil, herbs and pine nuts. They can also be served with an herb and scallop or mushroom walnut sauce. I have made corzetti several times now, and here is the dough combination I found works the best:

To make Corzetti:

200g (1.5 cups) 00 or All-Purpose flour

200g (1.5 cups) semola rimacinata (Semolina)

3 medium sized eggs plus 2 yolks-add an extra egg if they are small

60ml dry white wine (1/4 cup)

5ml (1 tsp) Extra virgin olive oil

Pinch of salt

Make a well with the flours on a wooden board. Place the eggs, wine and EVOO in the center and beat with a fork, then slowly start to mix in the flour. This dough needs to be soft and elastic to hold the embossing and you may not need all of the flour. Keep some to the side in case it is not needed. Once the mixture is less liquid, start to mix by hand. Knead for 10 minutes. Roll into a ball, cover and let rest for 30 min.

Use half the dough at a time, and keep the other half from drying out by covering with an upturned bowl. Roll the dough out by hand 3mm thick. You can use a pasta machine, but hand rolling will result in a better embossing. Lightly flour the corzetti stamp. Cut circles as close together as possible. Pasta rolled out multiple times will not be consistent thickness and will dry out, and not take the embossing as well. Stand up while pressing down firmly on the top of the stamp with the palm of the hand to get the best quality embossing. This makes 60-65 corzetti.

I like to serve corzetti with a traditional Pesto Genovese. This mushroom walnut sauce is also yummy.

Corzetti con Funghi e Noce / Corzetti with Mushrooms and Walnuts

200g porcini mushrooms or mixed mushrooms in season

1 onion, 1 carrot, 1 celery stalk

2 cloves garlic

Prezzemolo (Italian parsley)

200 g (~3/4 cup) walnuts shelled

30g (2 tablespoons) pine nuts

Dry white wine

EVOO, salt

Finely chop everything except the pine nuts.

Make a soffritto-Fry the onion in olive oil, add carrot and celery, half of the garlic and the pine nuts

In another pan, fry the mushrooms (these can be finely chopped or just separate the tops and bottoms) then add the soffritto. Add wine and cook for 30 min.

Before serving, add salt, the rest of the garlic, and prezzemolo

Cook corzetti in boiling salted water for 3-4 min. Add mushroom sauce and sprinkle with the chopped walnuts and grated Parmigiano Reggiano.

Want to try making corzetti, but don’t have a stamp? Cut circles out with a 5cm (2 inch) diameter drinking glass. Use a cookie press for the design, or find something that can be lightly pressed to make a design in the dough-a wax seal, a ring, the crosshatch design on your meat tenderizer….. get creative!

It is hard to believe I was in Liguria 11 months ago. Since we can not travel there-or anywhere at this time, I hope this helps you viaggiare in pultrona… armchair travel to the coast of Liguria and the Cinque Terre. Buon viaggio and stay safe, Cristina

In my Kitchen~Quarantine edition

06 Monday Apr 2020

Posted by Un po' di pepe in Mangiamo!, Photography

≈ 26 Comments

Tags

#iorestoacasa, COVID19 pandemic, In my kitchen, Quarantine

Sottosopra (sot•toh•SOH•prah)…upside down. I know I am not the only one who feels like an extra in a sci-fi movie where everything in the world is upside down. Kisses and hugs can be disease spreaders, binge watching Netflix on the couch all day is responsible adult behaviour, and NOT visiting your family is a sign of love!

Everyone copes differently with the stress of quarantine. Some of us are madly productive, and others binge watch Netflix all day. It does not matter what we are doing, as long as we are doing it at home-staying home and helping everyone stay safe. If you have been hiding under a rock and this is news to you, please read these 2 posts: COVID19~Andrá tutti bene and COVID19~Insieme ce la faremo.

I am one of those ‘essential’ workers, but I am ‘freelance’ now, and happened to not have any work booked at the hospital the last 2 weeks. I have been at home, only leaving the house to buy groceries or walk to my parents’ back porch-the socially distant designated drop off/pick up point. This week I work a few days… and am not sure what to expect!

While home, I have done yoga class via zoom almost every day, and spent a lot of time in my kitchen. I made a kitchen ‘to do’ list -mostly things I am not often home long enough to attempt. Making pasta by hand is calming, almost meditative, punching dough is violently therapeutic, and my freezer is now full. It is also time for another ‘In my kitchen’ blog post. Here are some of the things I crossed off my list:

I have made a lot of stuffed pasta, but not filled with meat. Ricotta, spinach, mushroom, pumpkin…but not meat. These tortellini are stuffed with a mixture of veal, prosciutto, mortadella and parmigiano. They were delicious, so I will be making them again, although I may vary the shape.

In the spirit of using absolutely everything, I candied my orange peels, using a technique based on Domenica’s and then dipped half in chocolate. They are a small flavour explosion and a nice garnish for a cheese plate, or served on the side with espresso. I ate a lot of oranges, so made a lot of candied peel and will see if they freeze well.

I love making bread-and the kneading part is a great stress reliever. Making pane senza impasto —no-knead bread, was anticlimactic, but i wanted to try it. The ingredients were just barely mixed, rose for 24 hours, then baked in my heavy cast iron pot with the lid on. The bread was delicious, with a nice crispy crust. Unfortunately, you can only make 1 at a time.

Alumni of the University of British Columbia will drool at the mention of the legendary, pillowy soft, caramelly UBC Cinnamon buns. These were made for over 50 years by UBC Food Services and sold at all of the campus food outlets. The recipe was once a huge secret but is now available. I have wanted to make them for years, but the recipe sounded really difficult and time consuming. It was not as involved as I thought and I will definitely be making them again. There is even some kneading involved! They were so good, I had to try one, keep one for the next day, and immediately arrange for the rest to be picked up so I did not eat them all. I will try freezing them unbaked next time.

Freezer space is at a premium right now, so the frozen raspberries from my garden had to be used to make jam. In a few months there will be new berries to pick.

The south facing kitchen is the sunniest place in the house. A few weeks ago -whenever the full moon was, I planted my pomodori seeds by the window. The tomato seedlings are all looking good and growing well on the covered back porch now.

Orecchiette are not the easiest pasta to make, but they are extremely low tech. No pasta machine, not even a rolling pin is needed. Only a knife. Making them was very meditative, but also stressful, because this was the first time I ever made them without my Mamma. As a surprise, I delivered the orecchiette to their back porch.

Forza! Hang in there everyone! Check out the rest of the monthly ‘In My Kitchen’ blogging community posts from around the world on host Sherry’s blog here.

A special ‘Grazie!’ to grocery store employees, farmers and truck drivers who are making sure we have food!

Ciao, Cristina. Vancouver BC, Canada

Napoli Street Art

29 Saturday Feb 2020

Posted by Un po' di pepe in Art, Italia, Photography

≈ 16 Comments

Tags

Banksy, Blub, Contemporary art Napoli, Exit/Enter, Jorit, Napoli Centro Storico, Roxy in the box, Southern Italy

Napoli is gritty, wonderfully chaotic, passionate and anything but boring, making it a perfect place for self-expression. Graffiti is not a new concept to the Napoletani. Ancient graffiti can be found in Pompeii, including ‘I was here’ type messages and suggestive notes written on the walls of the brothel. In the historic center of Napoli graffiti, posters and murals have been elevated to a fine art form. I was in Napoli on a search for Blub street art and ended up finding so much more.

Volto di Sophia, a colourful Bollywood inspired portrait of iconic Napoletana Sophia Loren is on Vico dei Zuroli, just off of Via dei Tribunali. The artist is Stikki Peaches, originally from Montreal.

Madonna con la Pistola is the only work in Italia by the elusive and mysterious English street artist Banksy. It is in Piazza Gerolamini, off of Via dei Tribunali. The Madonna in ecstasy with a gun in place of a halo is the artist’s exploration of the relationship between religion and organized crime. It has now been covered by glass for protection from the elements.

San Gennaro, a hyperrealistic 15m high portrait of Napoli’s patron saint is by Italian- Dutch artist Jorit Agoch (Jorit Ciro Cerullo). It is on Via Forcella near the Duomo. The model is the artist’s friend, a mechanic also named Gennaro. This could be an homage to Caravaggio, who would take ordinary people off the street to be his models for paintings of extraordinary people. There are more ginormous Jorit murals in the Ponticelli Graffiti park near the airport and in the financial district.

Exit/Enter is a street artist from Firenze who paints whimsical, expressive stick figures. There are a few Exit/Enter works around Napoli, including this one which I though was an angry pizza and a clown. Then I realized the clown looked like a skinny Ronald McDonald. Sure enough-it is titled ‘Pizza vs McDonald’s’! I do not remember the name of the street, but it was also just off of Via dei Tribunali.

Beloved Napoletano singer Pino Daniele passed away in 2015. Pino with his smile and guitar is sainted by artist TvBoy in San Pino Daniele found in Vico dei Panettieri. Grazie to Sara from My Dear Italia for the photo.Mission Possible is the colourful mural by Napoletana artist Roxy in the box (Rosaria Bosso). She includes 2 important figures in the history of Napoli; San Gennaro and Caravaggio. They are casually hanging out reading the New York Times and 24 Ore. It is in Piazza Cardinale Sisto Riario Sforza, near the Duomo, Pio Monte della Misericordia and Via dei Tribunali.

This stencil baby is on an electrical panel is near the lineup to get into the Cappella San Severo. The signature on the bum says Joan Aquito.

Giuseppe Verdi and a Renaissance woman covered by a shop door are the only Blub work I found on the street after visiting the Blub Pompeii inspired exhibit at the Museo Archeologico Nazionale Napoli. I was disappointed not to find Totò, another iconic Napoletano. For more Blub love, read Blub a Napoli and L’arte sa Nuotare.

I hope you enjoyed this street art tour of Napoli Centro Storico! More Napoli information can be found in Un Giorno a Napoli. Ciao, Cristina

Troia 1019-2019

05 Saturday Oct 2019

Posted by Un po' di pepe in Architecture, Italia, Photography, Puglia

≈ 8 Comments

Tags

Diomedes, Italy travel tips, Romanico Pugliese, Southern Italy, UNESCO World Heritage Sites, Wines of Puglia

According to legend, Troia (TROH∙yah) was founded by the Trojan War hero Diomede (Diomedes) in the 10^th century BC. After the fall of Troy, he found out his wife was unfaithful. Instead of going home to Argos, Diomede travelled around the Adriatic, settling in the Daunia area of Puglia. Troia, also spelled Troja, was at the junction of the Via Traiana –the road from Benevento to Brindisi, and the road to Siponto (Sipontium). The Romans called it Aecae. In 1010, a medieval settlement was built on the ruins of the ancient city, and in 1017 a Byzantine fortress to protect against Saracen invaders. Modern Troia was founded in 1019, making this year its millennia!!! Auguri Troia!

Troia was ruled by powerful bishops, and they built a magnificent cattedrale (cathedral), an exquisite example of Romanico Pugliese, a unique architectural mix of Pisan Romanesque, Arab and Byzantine inspired features. It was an important connection between the Norman kingdoms of Southern Italia and the Pope. Completed in 1119, this architectural capolavoro or masterpiece is celebrating its 900^th anniversary!

The stunning rosone-rose window is made up of 11 thin columns, each with a delicate stone ‘screen’ finely carved with Islamic inspired geometric designs. The 11 ‘petals’ or segments each have a different pattern. They look like they are woven out of stone. 11 is an unusual number of sections for a rose window, or for anything, actually. There could be some interesting numerology related to this building.

The upper façade is elaborate, with the rosone and gargoyles. The arches around the window are decorated with an odd but fascinating assortment of primitive looking animal and human sculptures and are held up on either side by Pugliese lions.

The lower front is a 7 arch façade-the center one being the main entrance through bronze doors with the most magnificent dragon handles. They look straight out of Trono di Spada (Game of Thrones)! The doors were built in 1127 by Oderisio da Benevento. The doors are decorated with reliefs and inscriptions. There are 10 knockers; 8 lions and 2 wyverns, which are small 2 legged dragons. On each side of the door are 3 blind arches topped with geometric carvings and a round window on the middle arch. The arches on the side of the building are topped with geometric sun and moon patterns in green stone. The main doors are closed and entry is only through the side door, another bronze by Oderisio da Benevento. The church is usually open during the day, and of course during Masses.

In contrast to the ornate exterior, the interior of the cattedrale is simple. The design is a Latin cross plan with 3 aisles separated by 13 Corinthian columns, 2 rows of 6 and a 3^rd row in the SW corner with only one column, as seen in the photo below. These represent the 12 apostles and Christ. There is no ceiling, the beamed wood roof is exposed. The Cathedrals in the Romanico Pugliese style, including Troia’s, are on the tentative list for UNESCO World Heritage Sites. This is the step before becoming a heritage site!

The 1169 pulpit dates to 1169 has an interesting relief carved on one side. It is a dog biting the back of a lion, who is biting the neck of a lamb and is visible in the photo below. The dog symbolizes God, who is faithful and vigilant, preventing poor judgement and heresy (the lion) from devouring the church (the lamb).

Il Museo del Tesoro della Cattedrale di Troia (the cathedral treasury) is worth a visit for rare 11^th century parchments and other medieval sacred artifacts. There are only 32 illuminated Exultet codes (Easter scrolls) in the world, and 3 of them are here. Also worth seeing is Il Capitello delle Quatre Razze (Column of the 4 Races). This is a 13^th Century column with 4 heads, one on each corner, depicting the 4 races of man known before 1492- European, African, Asian and Arab. Admission is free, but it is only open Tuesday and Thursday 17:30-20 and Saturday 10-13. Mondays are only open for school groups with appointments. Call ahead, as they may open for groups 0881 97 00 20.Troia is named for the ancient city, but unfortunately ‘troia’ is also Italian slang for ‘slut’. My best guess is that the origin of this term is from Elena di Troia (Helen of Troy) who was an adultress. Don’t let the name put you off though. Troia is a charming town with a beautiful centro storico. It is also way off the radar for most visitors to Puglia, so you will not find any crowds. As an added bonus, you can find Nero di Troia vino everywhere! Read more about this lovely vino in Vini di Puglia. My Zia lives in Troia, so I have been there a lot. Here are some interesting Troia facts… #1-I had my confirmation at the Cattedrale di Troia when I was 15! Interesting fact #2-Troia is the only municipality in Italia providing free public transportation!

Get off the bus from Foggia or park the car near La Villa Comunale and Bar Cluny. Walk down Via Regina Margherita to explore the centro storico. The Cattedrale is half way down this long, narrow street, which is lined with shops and interesting doorways. Stop at the award-winning Pasticceria e Gelateria Artigianale Aquilino for a decadent treat. Visit the oldest church in Troia, the Byzantine San Basilio with ox heads around the altar. It was originally a Greek Orthodox temple. The haunted Palazzo D’Avolos is now home to the Civic offices and Civic Museum. Wander into the narrow side streets and you may come across a Fiat 600 or some work by local artist Leon Marino.

Troia has a population of about 7000. It is situated on a hill, 439 m above the Tavoliere plain, 22 km SW of Foggia, 15 km south of Lucera and 14 km east of Orsara di Puglia. The surrounding landscape is a beautiful blanket of wheat fields, vineyards and olive groves- like the view from the abandoned Celle Sant’Antonio, just outside of Troia.

Ferrovie del Gargano buses arrive regularly from Foggia and Lucera. The ticket is €1.80. If taking the train to Foggia, the bus station is conveniently next door. Troia has several B&B’s including Alba d’Oro, Stella and Svegliarsi nei Borghi. There is even a car rental agency, Automottola, on the edge of town, towards Foggia. For more information check out Troia’s website.Read more about Troia and Diomede in Puglia-Mia Regione Preferita. Have any of you readers who are not related to me been to Troia?

Ciao e buon viaggio, Cristina

Blub a Napoli

28 Wednesday Aug 2019

Posted by Un po' di pepe in Art, Italia, Photography

≈ 20 Comments

Tags

Art history, Blub, Contemporary art Napoli, Fresco painting, L'arte sa nuotare, Museo Archeologico Nazionale di Napoli, Napoli, Pompeii, Street art

A few weeks ago I took a daytrip to Napoli for sfogliatelle-but also to see the Blub exhibit at MANN (Museo Archeologico Nazionale di Napoli). If you do not know about the street artist from Firenze, make sure to read my Blub post L’Arte sa Nuotare. Blub (Bloob) takes famous works of art and gives them a new look, immersing them underwater, complete with blue background, snorkel masks and bollicine-bubbles. Prints are organically glued to the metallic doors of gas and electrical panels, which provide ready-made frames.

To prepare for the exhibit, Napoli’s Centro Storico was ‘Blubified’ with 40 works plastered on sportelli-the doors of gas and electrical panels. A few are specific to Napoli, for example Totò and Re Carlo III Borbone (King Charles III).

In the exhibit, which only includes 5 new works, the project ‘L’Arte sa Nuotare’ (Art knows how to swim) is extended to Pompeii. 4 paintings on metal are inspired by affreschi (frescoes) from the ruins of Pompeii. There is also the portrait of Carlo III and some sculptures have been adorned with masks and fins, as well as the tomb in the photo below.

The nymph is a detail from the fresco ‘Il Volo di Dedalo e la caduta di Icaro’(the flight of Dedalus and the fall of Icarus) from Villa Imperiale, Pompeii. It is an acrylic painting on a metal door and I love how the rust has been incorporated.

Terentius Neo e la moglie (Terentius Neo and his wife) is a fresco from 55-79 AD found in 1868 in the house of baker Terentius Neo, which was also the bakery. The middle class couple is well-dressed, and he holds a scroll with seal, his wife a stylus and wax tablet to demonstrate that they are literate and cultured. His wife is portrayed as an equal, in fact she seems to be standing in front of her husband.

Here is the original fresco in MANN:

Donna con tavolette cerate e stilo (Woman with wax tablets and pen) is a tondo, a round painting found in 1760 in the Insula Occidentalis house in Pompeii. It depicts a wealthy woman with gold earrings and a gold hair net. She is holding a stylus and 4 wax tablets, to demonstrate learning and culture. This fresco is known as Sappho, although it is not a portrait of the poetess, in fact the stylus and wax tablets were more likely used for accounting than poetry. Blub again incorporates the rust on the metal door to add ‘age’ to the work.

The original fresco in MANN:

My favourite Blub here is Maschera Teatrale di Donna (Woman’s theater mask) inspired by a fresco in Casa del braciale d’oro (House of the golden bracelet) in Pompeii. The work is under glass, so my photo has glare issues. The tag says that this Blub work is an acrylic on metal door and is in a private collection in Hingham, Massachusetts, so I think that means Blub made a sale!

Maschera Teatrale subacqua, from L’Arte sa Nuotare Facebook page

‘….water is my element. Life is born from water, it is the hidden side of matter. When you are immersed, time stops and becomes weightless, while thoughts flow freely in a suspended dimension…for this I propose personalities that have transmitted an example of greatness that survives still today, as if underwater, without time.’ Blub

Seeing all the affreschi from Pompeii in MANN really inspired me to get out my bucket of plaster and pigments. Fresco painting is not a very ‘modern’ art form, but I have dabbled in it a bit and really love it. Below is my detail of La Cappella Sistina. My next fresco painting might be one of Giotto’s angels. I’ll be looking for rusty metal doors to paint on! Let me know if you have any.

Blub hunting in the Centro Storico was not very productive. We found a peek-a boo Blub….a Renaissance woman mostly covered by the propped open door of a store! Giuseppe Verdi looks very distinguished among the graffiti. I was disappointed to not find a Totò, but did find a Banksy and lots of other interesting street art-which I will leave for another post!

The exhibit in MANN ends in a few days. I hope you enjoyed this virtual Blub tour and that all of you can some day view real life ‘Blubi’! Ciao, Cristina

*Photo credit-Both photos of Terentius Neo e la moglie and Blub’s Sappho taken by my cugino and Napoli travel partner Mark ‘Peperotti‘ Pepe

Un po' di pepe

~ …… (oon∙poh∙dee∙PEH∙peh) Cristina writes about interesting stuff /Cristina scrive di cose interessanti

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