Lecce

25 Friday Sep 2020

Posted by Un po' di pepe in Architecture, Italia, Photography, Travel

Tags

Barocco Leccese, Baroque art, Negroamaro, Puglia, Salento, Southern Italy, UNESCO World Heritage Sites

Lecce reminds me of a Caravaggio painting-Baroque, dramatic and opulent, with attention to detail. It is unfortunate he did not live long enough to visit the city! Lecce, in the Salento area of Southern Puglia is over 2000 years old and rich in tradition and local customs. Originally called Syvar, it was founded by the Mesapii(Mesapians) from Crete. There is a long history of Greek settlement here, in fact there is still a group of 9 towns called ‘Grecia Salentino’ where ‘Griko’ dialetto is spoken.

Conquered by the Romans in the 3^rd Century BC, it was renamed Lupiae. Hadrian moved the city 3 Km northeast in the 2^nd Century AD and called it Licea. Then came the Byzantines in 549, followed by Orthodox monks. Lecce and the Salento were an independent country from 1043 until 1463 when Emperor Carlo V conquered Puglia, and they became part of the Kingdom of Napoli until Italian unification in 1861. Lecce was an important commercial city, with a building and cultural boom.

Lecce is best known for its dramatic Baroque architecture and ornamentation, which even has its own name-Barocco Leccese. The style was around from the mid 1500’s to the early 1700’s, so even among buildings constructed at different times there is continuity of style.

The Baroque style features over the top details and intricate carvings that create a sense of movement. Barocco Leccese is even more expressive and unique. Windows, balconies and loggias are elaborately ornamented with twisting columns, scrolls and cornices. They are carved with human figures, animals, wreaths, vines and gargoyles. There is also a lot of marble, gilt and bronze involved. Corbels supporting balconies are a common decorative element in Lecce.

‘Salento and the Barocco Leccese, including Lecce, Nardò, Gallipoli, Martina Franca, Ostuni, Francavilla, Galatina and Galatone’ are on the UNESCO World Heritage tentative list since 2006. This is the step before becoming a World Heritage Site.

Lecce’s buildings are made of Pietra Leccese, a local, honey coloured porous limestone. It is soft and workable for sculpture, and was hardened and weatherproofed by soaking in a liquid solution made with whole milk. Pietra Leccese is still one of the area’s main exports, mined in open quarries.

What to see in Lecce:

The Centro Storico of Lecce, with its narrow stone streets, 22 churches and unique architecture is a historically preserved walking museum. It is mostly pedestrian only and very walkable. After dark the streets are lined with outdoor seating for vino and aperitivo, and everyone is out for passeggiata.

Lecce’s defensive walls are gone, but 3 gates remain: Porta Rudiae, Porta San Biagio and Porta Napoli, which marked the starting point of the road to Napoli.

The 2 main piazze are Piazza Duomo and Piazza Sant’Oronzo, which are connected by Corso Vittorio Emanuele. Piazza Duomo is a large open space, but you can almost walk by and miss it! There is only one entrance, and it is closed off on 3 sides. The Duomo is unique as it has 2 facades. This was done so that visitors to the piazza did not have to face a big blank side wall as they entered. The Campanile is the tallest in Italia at 68 m. Piazza Duomo also contains the Palazzo Vescovile and Seminario, which is used mainly for exhibitions.

Piazza Sant’Oronzo, named for the first Christian bishop and the patron saint of Lecce, was the site of the mercato. The 2^nd Century AD Roman anfiteatro was discovered in 1901 during construction of a new Banca d’Italia. The 20,000 seat arena was originally built outside of the walls of Lecce and was still in use in the 12^thCentury. More than half of it has not been excavated!

Looking down over the anfiteatro is Il Sedile, a 1590 Gothic structure which was the seat of the town hall. It is now the Tourist information office.

The Colonna di S Oronzo, is a column topped with a bronze statue of Sant’Oronzo. It was originally built in 110 AD-one of a pair of Turkish marble columns marking the end of the Via Appia from Roma to Brindisi. This one toppled and broke in 1528 and its twin is still standing in Brindisi. In 1659, the broken remains were given to Lecce to thank Sant’Oronzo for saving Brindisi from the 1656 plague. The Brindisini have wanted it back ever since!

Not far from the piazza is Museo Faggiano- a unique museum, especially for archeology nerds like me! Plumbing issues result in DIY renovations that uncover layers of history…..Blog post coming!

Santa Croce’s façade is the masterpiece of Barocco Leccese. It took 200 years to build. The exterior was recently cleaned and renovated. The interior has a gilded coffered ceiling and 14 chapels with carved, twisting columns.

Sant’Irene is dedicated to the ancient protector of the city 1591-1639. The interior is simple, but has twin Baroque side altars. My amazing balcony at Palazzo Belli B&B looked out onto the side entrance.

Santa Chiara built in 1687 has an unusual façade and an extravagant interior with a wooden ceiling. There are loads of other beautiful churches to see in Lecce, but i have only mentioned the main ones.

Sometimes the scenery looks like an old movie set! Walk down Via Palmieri, lined with grand palazzi, ending at Porta Napoli.

Things I did not have time to see include the Castello Carlo V and its carta pesta (papier maché) museum, the Teatro Romano and the Museo Provinciale.

Lecce is a great place to shop. Specialties include colourful Pugliese ceramics, carta pesta, olive oil and vino. Lecce observes the pausa pranzo which means shops are closed from 2-5pm.

Make sure to try pasticciotto. My favourite is the kind with crema and amarena. Yum! Sit outside to have Caffè Leccese –espresso on ice with almond milk and of course local vino, especially my favourite-Negroamaro. Here is my cena with Negroamaro rosé.

Since the centro storico is car free, dealing with a car in Lecce can be a pain. During high season, it is easier to get around by bus or local train. During low season, a car will make it easier to visit places that are not on the main train line. Lecce is between 2 seas, the Adriatic is 11km away and the Ionian 23 km away.

Lecce (pop. 96,000) is on the Adriatico train route that starts in Bologna. The Stazione is a flat walk, 1 km south of the Centro Storico. Last year, I took the train from Foggia (3 hours) staying 3 days in Lecce and 1 in Nardò. It was late July/early August, and not crowded at all. I booked my train and accomodation 3 days in advance. Try to avoid making Lecce a daytrip, as you will miss the beautiful evenings and fun nightlife. I am looking forward to going back as soon as possible!

Buon viaggio, Cristina

Vini di Puglia

01 Wednesday Jun 2016

Posted by Un po' di pepe in Italia, Puglia, Vino

≈ 26 Comments

Tags

Autochthonous vines, Diomedes, Italian wines, Negroamaro, Nero di Troia, Primitivo, Pugliese Traditions, Southern Italy, Vini di Puglia, Wines of Puglia

Oenotria, ‘Land of Wine’. This is the name the ancient Greeks gave to Puglia. 425 km long, Puglia has a diverse agricultural landscape with mountains, plains, the Mediterranean sun, coastal sea breezes and fertile soil. The climate is hot and dry, especially during the summer months. The name Puglia comes from the Latin ‘a pluvia’ meaning without rain. These environmental features, plus the presence of vitigni autoctoni (Native or Indigenous species of grapes) provide an ideal environment for growing grapes and producing vino.

Grape harvesting and winemaking are an ancient tradition in Puglia, where the soil has been tilled for centuries. The vines are deeply rooted to an ancestral bond with the earth and local traditions. I find the surreal peace and tranquility in the vigneti to be very therapeutic and meditative.

The history of vinicoltura in Puglia is based on a bit of science, and a lot of legend. According to legend, after the fall of Troy the mythical hero Diomede (Diomedes) found out his wife had been unfaithful. Instead of returning home to Argos, he sailed about the Adriatic, created the Isole Tremiti, and then was invited by Daunus, King of the Daunia (modern Provincia di Foggia) to settle there. Diomede allegedly planted the first vines in Puglia, brought with him from Greece and beyond.

Vino Pugliese has always been consumed and enjoyed locally. In the past, Pugliese grapes were often harvested for quantity rather than quality. They were used to blend with underwhelming Italian and European grapes that needed substance or a boost in the alcohol content. In Puglia, grapes develop high levels of sugar over the hot summer, resulting in wines that are high in alcohol. Mass production decreased the value of Pugliese grapes and wine. In the 1970’s and 1980’s, government funds were available for contadini to plant wheat. Half of Puglia’s ancient vigneti/vineyards were cut down to make way for fields of wheat. Some ancient vines were all but lost. Now many are being replanted and there has been a resurgence of forgotten native grapes and lesser known grapes. Vini Pugliese are finally getting the love they deserve! There are now over 30 Pugliese DOC wines and they are generally very well priced for the quality. I still say the best stuff doesn’t leave the region. It is made in batches too small to export and is consumed locally.

La Cantina del Paradiso, Orsara di Puglia

Puglia can be roughly divided into 3 wine producing areas. The first is Northern Puglia including the Daunia (Provincia di Foggia) and the northern part of the Provincia di Bari, around Castel del Monte. The second is the Provincia di Bari including Gioia del Colle and the Val d’Itria and the third is the Salento area or the ‘heel’ of italia. It includes the Provincia di Lecce, most of the Provincia di Brindisi and part of the Provincia di Taranto. (I will add a map soon)

This is the first of 3 blog posts about Puglia and its native vines. I have been conducting my own personal research on this topic for many years. The sacrifices I make for my readers knows no limits!

This post will include the 3 main grapes, Primitivo, Negroamaro and Nero di Troia. Post number 2 Aglianico to Zibibbo will feature the lesser known vigni autoctoni and a wine vocabulary, and post number 3 will be dedicated to Tuccanese. Salute!

Vini Pugliese available at my local BC Liquor Store

3 Main Vitigni Pugliese/Grapevines:

Primitivo is the most internationally well-known Pugliese grape. It is grown across Puglia, especially in Taranto (Primitivo di Manduria) and the Gioia del Colle area in Bari. The production of Primitivo has increased in recent years. The name was given by a late 18^th Century monk who studied botany. It does not mean primitive, but comes from the Latin ‘Primatirus’ which means early ripening. La vendemmia (the grape harvest) for Primitivo is August to early September. It was previously known by other names, including Zagarese, possibly meaning from Zagreb. In 1881, Primitivo vines were first brought to Manduria from Gioia del Colle as part of the dowry of Contessa Sabini di Altamura. Including vines in a dowry may sound strange, but also implies they must have been considered valuable!

Primitivo is ‘corposo’ (full bodied) and has lots of anthocyanins. The grape can turn much of its sugar content into alcohol, reaching up to 18% alcohol! It is aromatic with hints of sour and black cherry, fig, blueberry and blackberry. Primitivo has a spiciness of pepper and licorice when grown in certain types of soil and it is often aged in oak. Not a productive vine, it gives low to medium yields. Primitivo ripens unevenly and will over ripen quickly. If the tips are pruned in spring, a second harvest with a lower alcohol content is possible mid September to October. In Manduria, Primitivo grows on red soil. It is also grown on volcanic soil, and even sand near the sea.

Primitivo arrived in Puglia from across the Adriatic thousands of years ago with the ancient Greeks. It may have crossed the Adriatic again in the 15^th Century with Slavs and Greek Albanians arriving in Puglia to seek refuge from the Ottoman Turks.

Like all Italians, Primitivo has cugini, or cousins. Zinfandel has been proven by genetic analysis to be a clone of Primitivo and Crljenak Kastelanskj (Plavina) a vine on the coast and islands of Croatia. Pugliese immigrants in the 1800’s and early 1900’s likely brought their native grapes to California. Primitivo is also one of the parents of Plavac Mali, another Croatian grape.

Negroamaro is grown almost exclusively in Puglia and is one of Italia’s most ancient vines. It is grown all over Puglia, but especially in the Salento, the ‘heel’ of Puglia. Since ‘niger’ is Latin for black and ‘amaro’ means bitter in Italiano, the name is thought to mean ‘Black bitter’, after its strong colour and tannins. The amaro part of Negroamaro is actually from ‘Mavros’ the Greek word for black. In this case, Negroamaro actually means ‘black black’. It is thought to have been brought to Puglia by Greek colonists around the 8^th Century BC so it makes sense that the grape developed a hybrid Latin/Greek name.

Puglia is an ideal habitat for Negroamaro grapes as they tolerate hot and dry well, and are very adaptable to different soils, even in rocky areas. Negroamaro has a rich dark red colour and is corposo but not too tannic or acidic, making it very easy to drink! It has flavours of ripe plums and baked raspberries with hints of cinnamon and anise, and is rich in polyphenols including the antioxidant resveratrol. La vendemmia for Negroamaro is after Sept 10 to the beginning of October. Negroamaro is usually used on its own, or blended with Malvasia Nera. The first rosé bottled in italia in 1943 was a Negroamaro rosé. My favourite Italian rock band is Negramaro without the ‘o’, from Lecce. I recommend listening to Negramaro with a glass of Negroamaro!

Nero di Troia (also called Uva di Troia) is named after and grown around Troia, in the Monti Dauni area of Foggia and near Castel del Monte. Troia is only 14 km from Orsara di Puglia so I know it well! Nero di Troia is thought to be those very vines brought by Diomedes from Troy when he was welcomed by the king of the Daunia! Genetic analysis does show it originates in the Adriatic area. We also know Nero di Troia was around in the 13^th century during the reign of Federico II of Svevia.

Nero di Troia is a late ripening grape, with vendemmia in mid to late October. It is very purple skinned, rich in polyphenols and especially tannins but is not too acidic or tannic tasting. It has a spiced woody taste with hints of blackberry, licorice, cherry, black currant, black pepper and violets. Nero di Troia goes down nicely and leaves a silky feel on the palate. Traditionally it has been blended with other grapes. For example, Castel del Monte wines blend 75% Nero di Troia with 25% Montepulciano. In recent years, there has been a move towards appreciating the unique characteristics of Nero di Troia on its own and it is becoming increasingly well-known and appreciated.

In Orsara Papà often buys Nero di Troia to drink at home with meals. It comes in a 3L plastic bottle at the grocery store for €5.50! Seriously. It has an expiry date and he transfers it into 4x 750 ml glass bottles. It may not be the best Nero di Troia available, but it’s very good and the best value for $. Now you all know for sure I am not a wine snob! Visit Troia the last Sunday in July for ‘La notte del Nero di Troia’. Maybe I’ll see you there? Salute!