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~ …… (oon∙poh∙dee∙PEH∙peh) Cristina writes about interesting stuff /Cristina scrive di cose interessanti

Un po' di pepe

Tag Archives: Printmaking

Corzetti

17 Friday Apr 2020

Posted by Un po' di pepe in Mangiamo!, Photography, Recipes

≈ 32 Comments

Tags

Cinque Terre, Corzetti, Corzetti with mushroom and walnut sauce, Italian cooking, Liguria, Pasta, Pasta fatta a mano, Pesto Genovese, Printmaking

Corzetti (cor∙ZET∙ti) are a traditional pasta of Liguria, also called croxetti (cro∙shet∙ti) or crosetti in Ligurian.  Corzetti are an embossed pasta shaped to look like gold coins.  The name comes from ‘crux’, latin for cross. They  have been around for a very long time. We know this because the Republic of Genoa had a medieval coin with a Genovese cross and there is a 1362 literary reference to pasta with crossetti served at a banquet.Stampo per corzetti

Corzetti are made with un stampo per corzetti- a corzetti stamp.  This is a 2 part device made of unfinished wood-usually pear wood.   The textured finish of the wood is functional-it transfers to the pasta and helps hold sauce, as does the embossed design. The bottom of the lower half is used to cut the circles. The top of the lower piece and the upper piece with the handle for pressing each have a carved design.Corzetti pasta con grano

Corzetti are like edible woodcut prints!  The perfect pasta for a printmaker.  This must be why I like making them so much!
If you read the posts Le Cinque Terre and Exploring le Cinque Terre, you may remember my determined quest to find a corzetti stamp.  In Corniglia, I found dried corzetti for sale, but no stamp.  I did not notice any restaurants serving them either, but I also did not look very hard.  I finally found a stamp by accident in a tiny shop in Vernazza, the town where we were staying. They were in a basket at the back, where no one could see them!

The design on my stamp is a stem of wheat, with a swirl on the other side.  It cost 11 Euro and was carved by a local fisherman.  I saw a similar one online for $72 US.  You can also custom order stamps but they can be very expensive.  It is much more fun to buy something like this where it is produced.

Noble Ligurian families had their family coat of arms engraved on the stamps.  Designs also include crosses, wheat, gigli (fleur de Lis) or the emblem of il pastaio, the pastamaker.

Circles are cut on a freshly rolled sfoglia or pasta sheet-not too thick, but thick enough to hold the embossing.  Each corzetto is pressed between the 2 parts of the stamp, embossing a design on each side.  If the pasta is rolled out too thin, the designs will transfer to the other side.Stampo per corzetti Corzetti stamp

Corzetti dough is traditionally made with eggs and white wine.  It is usually made with flour and semola rimacinata di grano duro (called semolina in North America) or chestnut flour.  Traditionally, corzetti are served with pesto or olive oil, herbs and pine nuts.  They can also be served with an herb and scallop or mushroom walnut sauce.  I have made corzetti several times now, and here is the dough combination I found works the best:

To make Corzetti:

200g (1.5 cups) 00 or All-Purpose flour

200g (1.5 cups) semola rimacinata (Semolina)

3 medium sized eggs plus 2 yolks-add an extra egg if they are small

60ml dry white wine (1/4 cup)

5ml (1 tsp) Extra virgin olive oil

Pinch of salt

Make a well with the flours on a wooden board.  Place the eggs, wine and EVOO in the center and beat with a fork, then slowly start to mix in the flour.  This dough needs to be soft and elastic to hold the embossing and you may not need all of the flour. Keep some to the side in case it is not needed. Once the mixture is less liquid, start to mix by hand.  Knead for 10 minutes.  Roll into a ball, cover and let rest for 30 min.

Use half the dough at a time, and keep the other half from drying out by covering with an upturned bowl.  Roll the dough out by hand 3mm thick.  You can use a pasta machine, but hand rolling will result in a better embossing.  Lightly flour the corzetti stamp.  Cut circles as close together as possible.  Pasta rolled out multiple times will not be consistent thickness and will dry out, and not take the embossing as well. Stand up while pressing down firmly on the top of the stamp with the palm of the hand to get the best quality embossing. This makes 60-65 corzetti.
Corzetti pasta con pesto Genovese

I like to serve corzetti with a traditional Pesto Genovese. This mushroom walnut sauce is also yummy.Corzetti con funghi e noce

Corzetti con Funghi e Noce / Corzetti with Mushrooms and Walnuts

200g porcini mushrooms or mixed mushrooms in season

1 onion, 1 carrot, 1 celery stalk

2 cloves garlic

Prezzemolo (Italian parsley)

200 g (~3/4 cup) walnuts shelled

30g (2 tablespoons) pine nuts

Dry white wine

EVOO, salt

Finely chop everything except the pine nuts.

Make a soffritto-Fry the onion in olive oil, add carrot and celery, half of the garlic and the pine nuts

In another pan, fry the mushrooms (these can be finely chopped or just separate the tops and bottoms) then add the soffritto. Add wine and cook for 30 min.

Before serving, add salt, the rest of the garlic, and prezzemolo

Cook corzetti in boiling salted water for 3-4 min.  Add mushroom sauce and sprinkle with the chopped walnuts and grated Parmigiano Reggiano.

Want to try making corzetti, but don’t have a stamp?  Cut circles out with a 5cm (2 inch) diameter drinking glass.  Use a cookie press for the design, or find something that can be lightly pressed to make a design in the dough-a wax seal, a ring, the crosshatch design on your meat tenderizer…..  get creative!Corzetti pasta con grano

It is hard to believe I was in Liguria 11 months ago.  Since we can not travel there-or anywhere at this time, I hope this helps you viaggiare in pultrona… armchair travel to the coast of Liguria and the Cinque Terre.  Buon viaggio and stay safe, Cristina

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In My Kitchen, April 2019

08 Monday Apr 2019

Posted by Un po' di pepe in Art projects, Mangiamo!

≈ 23 Comments

Tags

Caputo Fioreglut, Gluten-free baking, In my kitchen, Leftovers printmaking exchange, Pasta fatta a mano, Pomodori, Printmaking

The last few weeks, my kitchen table has been a multipurpose space, doubling as a greenhouse and an art studio.  For the 4th year in a row, I am participating in the ‘Leftovers’ printmaking exchange.  The idea is to use leftover paper and other materials to make an edition of small prints.  I need to send 15 hand pulled prints via Wingtip Press to the Idaho Hunger Relief Task Force in Boise.  1 print will be reserved for silent auction to support hunger relief and 2 will be part of travelling exhibitions. Last year, my print went on a Grand Tour to China, Wales, Whangarei New Zealand, Reno Nevada and Boise!  The remaining 12 prints are exchanged with other participating printmakers. In a few months, I will receive my ‘leftovers’ package in the mail with 12 prints  from around the world!

I have a beautiful old aluminum scolapasta (colander) in my kitchen that just oozes character.  I worked on my sketches and carved the linoleum here, but will do the printmaking in my little studio space.  I have to post the prints by April 10th! Papà has pomodoro seedlings growing on my back porch.  They are covered in plastic as it has been sunny, but cold.  I was given more seeds by a friend, so 2 weeks ago, right after la luna piena –the full moon, I started growing them at the end of the kitchen table by the big window.  Piselli and pepperoncini are growing nicely too!I made ravioli with funghi-mushroom filling but I could not seem to decide what size or shape to make my ravioli/agnolotti/mezzalune!  Despite the lack of symmetry, they tasted good, although I prefer my usual ricotta filling.

Some time this month, I plan to invite my coworkers over for pizza, but 2 of them have Celiac, so I need to make gluten free dough.  Mannaggia!  My experience with gluten free dough is that it tastes like crap, with the consistency of styrofoam.  Potato, rice and corn flour all result in a dense blob of yuck, yuck and yuck!  Bleh!  My local family run generi alimentari Renzullo’s finally started selling Caputo Fioreglut.  This is a gluten free flour from Italia that I read about on both Paola‘s and Silvia‘s blogs.  They are both in Australia and raved about it, but it was not available here.

I bought a bag for $12.00 (!) and decided to try focaccia first.  That way, if it came out as a sticky, unpalatable blob of yuck at least I did not waste ingredients on it.  Fioreglut has some rice and corn flour, but the main ingredient is farina di grano saraceno-buckwheat flour!  I followed the recipe on the bag, since it was almost the same as my usual recipe.  Making gluten free dough is the opposite of making regular bread dough.  Usually you want to knead the dough as much as you can to make it light and airy.  Gluten free dough must be handled as little as possible to keep it together.  My white blob of dough looked questionable, but it did rise.  I dimpled it with my fingers and added rosemary, salt and parmigiano, made the sign of the cross and put it in the oven. I could not believe the results-it was actually delicious!  Just look at the photo!  Before inviting my friends over, I will try focaccia Pugliese, then pizza.

This ‘In my kitchen’ post is linked to the worldwide monthly get together of food bloggers hosted by Sherry of Sherry’s Pickings.  Click to read the other participating posts.  Buon appetito, Cristina

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Mercato Inspiration

30 Friday Jun 2017

Posted by Un po' di pepe in Art, Art projects, Inspiration

≈ 17 Comments

Tags

Drypoint etching, Inspiration, Monotypes, Printmaking

Sometimes you unexpectedly find inspiration when you really need it.  I had a bancarella at the Mercato Italiano at the Italian Cultural Centre a few weeks ago.  I was selling cartoline, incisioni e monotipi stampato a mano- cards and hand-pulled etchings and monotypes. Setting up and organizing is a lot of work, but it is always fun to meet people and discuss the art process at these events.

Last week, I was having una settimana di merda-a really crappy week….until I received a lovely and very encouraging email from someone I met at the mercato.  He had bought one of my small drypoint etchings and commented on how much he enjoyed our conversation and continued to enjoy the print-so much so that he wrote about it on his blog!

The Print MakersPhotographers should hang around artists. I’ve talked before here about the benefits for a photographer of going to art galleries and shows. If you are thinking about your craft seriously these events will get your mind churning. I am not talking about photo exhibitions. That becomes intellectually incestuous. No, I am talking about getting out amongst other graphic artists to see how people in other mediums represent the world we all share.

Take last Friday night for instance. Here in Vancouver we have a very active Italian Cultural Center and in the summer they hold a series of Italian Markets in the parking lot of the Center. Last Friday was the first market for this year. Susan and I were walking through the stalls looking at the wines, breads, flowers and crafts on display when I came upon Cristina Pepe’s booth where she had some of her hand made prints for sale…….

Read the rest of the post here or at http://flynngraphics.ca/print-makers/ 

Here’s to mutual inspiration!  Ciao, Cristina

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Il Torchio

25 Saturday Oct 2014

Posted by Un po' di pepe in Art, Inspiration

≈ 6 Comments

Tags

Art materials, Etching press, Inspiration, Printmaking, Torchio per incisione

My new torchio!

My new torchio!

Finalmente!  I finally have my etching press (torchio per incisione)!  It’s a Richeson 11 inch ‘Baby press’.  I’ve been waiting to buy this bambino for a long time.  During the 2010 Winter Olympics, I ‘accidentally’ rented out my guest room to a very nice couple of lawyers from Michigan.  I decided I would use the money to buy myself the Baby press from Daniel Smith in Seattle.  I knew 3 printmakers who had one so I knew that it was small but sturdy and very well-built. I made several attempts to get one in Seattle, but something always went wrong.  One time I called ahead to make sure they had one in the store, but by the time I arrived it had been sold, another time the only one available had a dent in the press bed, another time I got stuck in traffic and didn’t make it there before closing time, and when I went to see U2 in Seattle, I was with too many other people and it was out of our way.  Uffa! I thought I would never have my little torchio and be doomed to printing with a pasta machine!

I recently found out that a printmaker I know bought a bigger press, so I asked her if she wanted to sell her bambino.  She was apprehensive at first, but I assured her he would get a good home and lots of love.  She finally agreed to the adoption and yesterday I picked him up from her studio.  It only took me 4½ years to get my torchio!  I can’t wait to use it for monotipi, punta secca and xilografia (monotypes, dry point etching and wood cut).  Grazie Mitch, Ellen and Kari!

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